تحقق هنر به مثابه تحقق حيات سياسي در فلسفه سياسي آرنت نگاهي به بسط حوزه زيبايي شناسي به فلسفه سياسي در آراي آرنت

The realization of art as the realization of political life in Arendt's political philosophy A look at the extension of the aesthetics to political philosophy in Arendt's statements

آرنت را مي توان متفكري در تلاش مدام براي بازسازي نظري حوزه انديشه سياسي دانست. مراد نوين او از اين حوزه هر چند نتيجه جستجوي او در منابع يوناني است اما در بردارنده دلالت هايي تازه نيز هست . تلاش آرنت در راستاي تدوين معنا يي ضد اومانيستي براي آزادي و ابهام زدايي از اين واژه از يك سو و تاكيد موكد او بر پيوند التزامي ميان تكثّر و آزادي از سويي ديگر از مهم ترين اين ابعاد تازه هستند . اما تازه ترين مورد مغفول مانده در آراي او ، نگاه او به هنر به عنوان قلمرويي است كه تحقق تكثر و حيات سياسي را به شكلي توامان تضمين مي كند . از آن رو كه آرنت هرگز اثري را منحصر به حوزه زيبايي شناسي و هنر نكرده است ، در اين مقاله چگونگي بسط نظري حوزه زيبايي شناسي به فلسفه سياسي آرنت را در خلال آثار متعدد و پراكنده او ، مورد بررسي و نهايتا تدوين قرار مي دهيم.

Arendt can be thought of as a constant effort to rebuild the theoretical field of political thought. His new meaning in this field, though his result is in Greek sources, contains new implications. Arendt's attempt to formulate an anti-humanist meaning for freedom and to obscure this term, on the one hand, and his emphasis on the transnational bond between plurality and freedom, on the other hand, are the most important of these new dimensions. But the latest missed point in his vote is his view of art as a realm that guarantees the realization of pluralism and political life in the same way. Since Arendt has never done a work exclusively in the field of aesthetics and art, this article examines and finally elaborates on how the theoretical development of the aesthetic field to Arendt's political philosophy is examined in the course of his numerous and varied works.