بررسي و تحليل حوزۀ نفوذ طرز وحشي بافقي در شعر فارسي

Investigating the influence of Vahshi Bafghi on Persian poetry

وحشي بافقي با آفرينش آثاري ماندگار به‌خصوص در طرز وقوع و واسوخت در شعر فارسي، از نظر فكري، زباني و ادبي در ادبيات روزگار خود و پس از خود تأثيرات بسيار داشته‌است. شعر او از زمان شاعر شهرت داشته و در تذكره‌ها با صفت «سهل و ممتنع» خوانده ‌شده‌ كه آسان مي‌نمايد ولي پيروي از آن مشكل است؛ شعري كه ساده، بي‌پيرايه و خالي از هر گونه صنايع لفظي متكلفانه و اغراقهاي شاعرانه است. اين ويژگي‌ها به همراه عشق‌گرايي و با بسامد بيش‌تر واسوخت، درون‌گرايي، صراحت بيان و زباني آتشين برخاسته از دروني ملتهب، مورد توجه بسياري از شاعران و شعردوستان قرار گرفته و تلاش كرده‌اند از جنبه‌هاي گوناگون از آثار او پيروي كنند. در اين نوشتار تلاش خواهد شد تا با مقايسۀ آثار او و شاعران هم‌عصر و پس از او و ارزيابي شباهت‌هاي لفظي و معنوي بين آنها، تا حد امكان، جايگاه وحشي در طرز واسوخت و ميزان توجه به او را بسنجيم؛ جنبه‌هاي مورد توجه و پيروان اين شاعر را ارزيابي كنيم و دلايل مقبوليت او را نزد عامه و شاعران، روشن‌تر سازيم.

With the specific stylistic manners in his eminent works, Vahshi Bafghi has exerted intellectual and literary influences on the literature of his time and after it. His poetry has been favored since the time he lived, and some biographers have referred to it as ‘easy but impossible’; that is, easy to read and understand but hard to imitate. His poems are, indeed, simple, plain, and devoid of ceremonious literary devices and poetic exaggeration. They have been widely favored owing to their love orientation, frequent turns away from the beloved, introversion, frankness and fiery language derived from an inflammatory heart. These features have attracted the attention of many poets and induced them to follow various aspects of his works. In this paper, we seek to compare the works of Vahshi, his contemporary poets and those after him so as to evaluate their verbal and spiritual similarities, to detect the ways he turns away from his beloved, and to identify the aspects of his poetry that have attracted his followers and the public mass.