از ﻋﺸﻖ ﺑﻪ ﻋﺮﻓﺎن؛ ﺗﺤﻠﯿﻞ ﮔﺸﺘﺎرﻫﺎي رواﯾﯽ و دﮔﺮﮔﻮﻧﯽ ﺷﺨﺼﯿﺖﻫﺎ از ﺧﺴﺮو و ﺷﯿﺮﯾﻦ ﻧﻈﺎﻣﯽ ﮔﻨﺠﻮي ﺗﺎ ﺷﯿﺮﯾﻦ و ﻓﺮﻫﺎد ﺳﻠﯿﻤﯽﺟﺮوﻧﯽ

ﻣﻨﻈﻮﻣﮥ ﺷﯿﺮﯾﻦ و ﻓﺮﻫﺎد ﯾﮑﯽ از ﻧﻈﯿﺮهﻫﺎي ﺧﺴﺮو و ﺷﯿﺮﯾﻦ ﻧﻈﺎﻣﯽ ﮔﻨﺠﻮي اﺳﺖ ﮐﻪ ﺳﻠﯿﻤﯽﺟﺮوﻧﯽ آن را در ﻗﺮن ﻧﻬﻢ ﻫﺠﺮي ﺳﺮوده اﺳﺖ. وﺟﻪ ﺗﻤﺎﯾﺰ اﯾﻦ ﻣﻨﻈﻮﻣﻪ ﺑﺎ ﭘﯿﺶﻣﺘﻦ آن اﻓﺰوده ﺷﺪن درونﻣﺎﯾﮥ ﻋﺮﻓﺎﻧﯽ ﺑﻪ ﺑﺴﺘﺮ ﻏﻨﺎﯾﯽ رواﯾﺖ اﺳﺖ. در اﯾﻦ ﭘﮋوﻫﺶ ﺳﻌﯽ ﺷﺪه ﺑﺎ اﺳﺘﻔﺎده از ﻧﻈﺮﯾﮥ ﺑﯿﺶﻣﺘﻨﯿﺖ ژراژ ژﻧﺖ و ﺑﺎ ﺗﮑﯿﻪ ﺑﺮ ﺗﻔﺴﯿﺮ ﻗﺼﺪﮔﺮا ﻧﺸﺎن داده ﺷﻮد ﺳﺎﺧﺘﺎر رواﯾﯽ اﯾﻦ ﻣﻨﻈﻮﻣﻪ در ﻣﻘﺎﯾﺴﻪ ﺑﺎ ﺧﺴﺮو و ﺷﯿﺮﯾﻦ ﻧﻈﺎﻣﯽ ﮔﻨﺠﻮي ﭼﻪ ﺗﻐﯿﯿﺮاﺗﯽ داﺷﺘﻪ و ﺳﻠﯿﻤﯽﺟﺮوﻧﯽ ﭼﮕﻮﻧﻪ ﺗﻮاﻧﺴﺘﻪ اﺳﺖ اﻧﺪﯾﺸﻪﻫﺎي ﻋﺮﻓﺎﻧﯽ ﺧﻮد را ﺑﺎ ﻋﺸﻖ زﻣﯿﻨﯽ ﺧﺴﺮو و ﺷﯿﺮﯾﻦ ﭘﯿﻮﻧﺪ دﻫﺪ. ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﺷﻮاﻫﺪ ﺑﺮونﻣﺘﻨﯽ و درونﻣﺘﻨﯽ و از ﻃﺮﯾﻖ ﺑﺎزﯾﺎﺑﯽ ﻗﺼﺪ ﻧﻮﯾﺴﻨﺪة ﺿﻤﻨﯽ اﯾﻦ ﻧﺘﯿﺠﻪ ﺑﻪدﺳﺖ آﻣﺪ ﮐﻪ ﺳﻠﯿﻤﯽﺟﺮوﻧﯽ ﺑﺎ ﮐﺎرﺑﺮد ﮔﺸﺘﺎرﻫﺎي ﮐﻤّﯽ و ﮐﺎرﺑﺮدي، رواﯾﺘﯽ ﺧﻼﻗﺎﻧﻪ ﭘﺪﯾﺪ آورده اﺳﺖ ﮐﻪ در ژرفﺳﺎﺧﺖ ﺧﻮد، داﺳﺘﺎن ﺳﻠﻮك ﻋﺎرﻓﺎﻧﻪ و ﮔﺬر از ﺻﻮرت ﺑﻪ ﻣﻌﻨﺎ را ﻧﻤﺎﯾﺶ ﻣﯽدﻫﺪ. ﺷﺨﺼﯿﺖﻫﺎي داﺳﺘﺎن ﻧﯿﺰ ﻣﺘﻨﺎﺳﺐ ﺑﺎ ﻣﺤﺘﻮاي ﻋﺮﻓﺎﻧﯽ ﻣﻨﻈﻮﻣﻪ و ﻫﻤﺴﻮ ﺑﺎ ﺗﮑﺎﻣﻞ ﺷﺨﺼﯿﺖ ﻗﻬﺮﻣﺎن )ﺧﺴﺮو( در ﻣﺴﯿﺮ رﺳﯿﺪن ﺑﻪ ﻣﻘﺎم اﻧﺴﺎن ﮐﺎﻣﻞ ﻣﻌﻨﺎي رﻣﺰي ﯾﺎﻓﺘﻪاﻧﺪ. در اﯾﻦ ﻣﻘﺎﻟﻪ ﮐﻮﺷﺶ ﺷﺪه اﺳﺖ ﺑﺎ ﭘُﺮ ﮐﺮدن ﺷﮑﺎفﻫﺎي رواﯾﯽ و ﮐﺎﺳﺘﻦ از ﺗﻨﺎﻗﺾﻫﺎ، ﺑﻪ ﺧﻮاﻧﺸﯽ از ﺷﯿﺮﯾﻦ و ﻓﺮﻫﺎد دﺳﺖ ﯾﺎﻓﺘﻪ ﺷﻮد ﮐﻪ ﺑﺘﻮاﻧﺪ درﻧﻬﺎﯾﺖ ﻣﻌﻨﺎي ﺗﻌﯿّﻦﯾﺎﻓﺘﻪ در ذﻫﻦ ﻧﻮﯾﺴﻨﺪة ﺿﻤﻨﯽ ا ﺑﻪﺷﮑﻠﯽ ﻫﻨﺠﺎرﻣﻨﺪ آﺷﮑﺎر ﺳﺎزد.

Shirin and Farhad by Salimi Jerouni, composed in the ninth century AH, is adapted from Khosrow and Shirin by Nizami Ganjavi. The distinguishing feature of this poem is the addition of a mystical theme, as compared to its hypotext. The purpose of the current study was to investigate how the narrative structure of this poem has changed compared to Nizami Ganjavi’s Khosrow and Shirin, employing Gerard Genette’s theory of hypertextuality and also intentional interpretation. The researchers have also tried to show how Salimi Jerouni was able to connect his mystical thoughts with Khosrow and Shirin’s earthly love. Based on epitext and peritext analysis and through retrieval of the intention of the author, it was concluded that Salimi Jerouni had created a narrative, using quantitative transformation and pragmatic transformation that in its deep structure, illustrated mystical behavior. The characters of the story have gained symbolical interpretation, proportional to the mystical content of the poem and in line with the evolution of the hero (Khosrow) on the way of reaching the position of a perfect man.