پديد آورندگان :
ﻣﺤﻤﺪزاده، رﻗﯿﻪ داﻧﺸﮕﺎه آزاد اﺳﻼﻣﯽ واﺣﺪ دﻫﺎﻗﺎن، دﻫﺎﻗﺎن، اﯾﺮان , ﻓﺮاﺳﺘﺨﻮاه، ﻣﻘﺼﻮد ﻣﺆﺳﺴﻪ ﭘﮋوﻫﺶ و ﺑﺮﻧﺎﻣﻪ رﯾﺰي ﺗﻄﺒﯿﻘﯽ ﺗﻮﺳﻌﻪ آﻣﻮزش ﻋﺎﻟﯽ - ﮔﺮوه ﺑﺮﻧﺎﻣﻪ رﯾﺰي آﻣﻮزش ﻋﺎﻟﯽ، تهران، ايران , اﺳﻤﺎﻋﯿﻠﯽ، رﺿﺎ داﻧﺸﮕﺎه آزاد اﺳﻼﻣﯽ واﺣﺪ ﺧﻮراﺳﮕﺎن، اﺻﻔﻬﺎن، اﯾﺮان , ﺑﻬﯿﺎن، ﺷﺎﭘﻮر داﻧﺸﮕﺎه آزاد اﺳﻼﻣﯽ واﺣﺪ ﺧﻮراﺳﮕﺎن، اﺻﻔﻬﺎن، اﯾﺮان
كليدواژه :
ﺟﺸﻨﻮاره ﻓﺠﺮ , ﺧﺎﻧﻮاده , اﯾﺪﺋﻮﻟﻮژي , ﻓﯿﺴﮏ , ﻧﺸﺎﻧﻪﺷﻨﺎﺳﯽ
چكيده فارسي :
هدف ﭘﮋوﻫﺶ ﺣﺎﺿﺮ ﺑﺮرﺳﯽ دﮔﺮﮔﻮﻧﯽ ﺧﺎﻧﻮاده در ﻣﺤﺘﻮاي رواﯾﯽ ﻓﯿﻠﻢ ﻫﺎي ﺳﯿﻨﻤﺎﯾﯽ ﺟﺸﻨﻮاره ﻓﯿﻠﻢ ﻓﺠﺮ از ﺳﺎل 1380-1395 ﻣﯽ ﺑﺎﺷﺪ. ﺑﺪﯾﻦ ﻣﻨﻈﻮر، در ﺳﻨﺖ روش ﮐﯿﻔﯽ و ﺑﻬﺮه ﮔﯿﺮي از ﻧﺸﺎﻧﻪﺷﻨﺎﺳﯽ ﻓﯿﺴﮏ )رﻣﺰﮔﺎن اﺟﺘﻤﺎﻋﯽ، ﻓﻨﯽ و اﯾﺪﺋﻮﻟﻮژﯾﮏ( ﺳﯿﺰده )13( ﻓﯿﻠﻢ ﺳﯿﻨﻤﺎﯾﯽ ﺑﺮﮔﺰﯾﺪه ﺟﺸﻨﻮاره ﺑﺎ ﻣﻮﺿوع ﺧﺎﻧﻮاده ﺗﺤﻠﯿﻞ و ارزﯾﺎﺑﯽ ﺷﺪ. ﺑﺮ اﺳﺎس ﯾﺎﻓﺘﻪ ﻫﺎي اﯾﻦ ﭘﮋوﻫﺶ ﻣﺆﻟﻔﻪ ﻫﺎﯾﯽ ﻣﺎﻧﻨﺪ ﺗﻌﺎرﺿﺎت ﺑﯿﻦ ﻧﺴﻠﯽ، ﻧﺎﺳﺎزﮔﺎري ﻓﺮزﻧﺪان، ﺗﺼﻮﯾﺮ ﻣﺨﺪوش ﻣﺮداﻧﮕﯽ، اﻟﮕﻮﻫﺎي ﻧﻮﯾﻦ ارﺗﺒﺎط ﻣﺎﻧﻨﺪ رواﺑﻂ ﻓﺮازﻧﺎﺷﻮﯾﯽ، ﺗﻨﺶ رواﺑﻂ زن و ﺷﻮﻫﺮ، ﻓﻘﺪان رواﺑﻂ ﻋﺎﺷﻘﺎﻧﻪ ﺑﯿﻦ ﻫﻤﺴﺮان، ﺧﺎﻧﻮاده ﻧﺎآرام، ﺷﯿﻮع ﺳﺮﻣﺎﯾﻪﻫﺎي ﻣﺒﺘﻨﯽ ﺑﺮ ﻣﺼﺮف، ﻧﻘﺶﻫﺎي ﺣﺮﻓﻪاي زﻧﺎن، اﻫﻤﯿﺖ ﻓﻀﺎي ﻣﺠﺎزي، ﭘﺪﯾﺪاري ﺧﺎﻧﻮاده ﻫﺎي ﭼﻨﺪﺗﮑﻪ و ﻧﺎﻗﺺ،ﮐﺎﻫﺶ اﻗﺘﺪار ﺧﺎﻧﻮاده، ﺑﺎزﻧﻤﻮدي از ﺧﺎﻧﻮاده ي اﯾﺮاﻧﯽ اﺳﺖ. ﺑﻪ ﻧﻈﺮ ﻣﯽرﺳﺪ در اﯾﻦ ﻓﯿﻠﻢﻫﺎ، ﺑﺎ ﺗﺤﻮﻻت ﻋﻤﯿﻖ ﺧﺎﻧﻮاد ﻣ اﺟﻪ ﻣﯽ ﺷﻮﯾﻢ ﮐﻪ در ﮔﺬار از ﺳﻨﺖ ﺑﻪ ﻣﺪرﻧﯿﺘﻪ دﭼﺎر ﺗﻌﺎرﺿﺎت اﺳﺎﺳﯽ و ﺑﻨﯿﺎدﯾﻦ اﺳﺖ. ﺧﺎﻧﻮاده ﺑﺎزﻧﻤﺎﯾﯽ ﺷﺪه در ﻓﯿﻠﻢﻫﺎي ﺑﺮﮔﺰﯾﺪه، ﺧﺼﻠﺖﻫﺎي ﺳﻨﺘﯽ، ﻣﺪرن و در ﺑﺮﺧﯽ ﻣﻮارد، وﯾﮋﮔﯽ ﺗﻠﻔﯿﻘﯽ دارد. در اﯾﻦ آﺛﺎر ﺑﺮﺧﯽ از ﻧﻘﺶ ﻫﺎي ﺳﻨﺘﯽ ﻫﻢﭼﻮن ﻧﻘﺶ ﺣﻤﺎﯾﺘﯽ زن در ﺧﺎﻧﻮاده، ﺗﻐﯿﯿﺮ در رواﺑﻂ ﮐﺎرﮐﺮد و ﺗﻌﺎرﺿﺎت اﻋﻀﺎي ﺧﺎﻧﻮاده، ﺑﺮرﺳﯽ رواﺑﻂ ﻓﺮدي و ﺧﺎﻧﻮادﮔﯽ، ﺗﺤﻮﻻت ﺧﺎﻧﻮاده، ﺗﻐﯿﯿﺮ ﻓﺮﻫﻨﮓ ﺣﺎﮐﻢ ﺑﺮ ﺧﺎﻧﻮاده و ﻧﻘﺶ ﻫﺎي ﺧﺎﻧﻮادﮔﯽ در اﯾﻦ ﺗﻮﻟﯿﺪات ﺑﺎزﻧﻤﺎﯾﯽ ﺷﺪه اﺳﺖ. ﻫﻢﭼﻨﯿﻦ ﻧﺘﺎﯾﺞ ﻧﺸﺎن ﻣﯽ دﻫﺪ ﺿﻤﻦ ﮐﺎﻫﺶ ﮐﺎرﮐﺮد اﻗﺘﺼﺎدي- ﺣﻤﺎﯾﺘﯽ ﺧﺎﻧﻮاده ﺑﻌﺪ ﻣﺼﺮﻓﯽ آن اﻓﺰاﯾﺶ ﯾﺎﻓﺘﻪ اﺳﺖ. ارزشﻫﺎي ﻋﻤﺪه ﻣﻄﺮح ﺷﺪه در ﻓﯿﻠﻢ ﻫﺎ ﺗﺼﻮﯾﺮﮔﺮ ﻓﺮﻫﻨﮓ و ارزشﻫﺎي ﻏﺎﻟﺐ در ﺳﻄﺢ ﮔﻔﺘﻤﺎن ﻫﺎي ﻣﺮﺗﺒﻂ ﺑﺎ ﺧﺎﻧﻮاده اﺳﺖ ﮐﻪ از ﻃﺮﯾﻖ ﮔﺴﺘﺮش آن، ﻣﯽ ﺗﻮان درك ﻣﺨﺎﻃﺒﺎن را در ﺧﺼﻮص ﮐﺎرﮐﺮد و ﺳﺎﺧﺘﺎر ﺧﺎﻧﻮاده، و ﺿﺮورت وﺟﻮدي اﯾﻦ ﻧﻬﺎد متحول و ﻣﺘﻔﺎوت ﻧﻤﻮد.
چكيده لاتين :
The purpose of this article is to study the transformation of the family in content of the Fajr film festival from 2001-2015.Therefore, using the qualitative method(Fisk semiotics), 13 selected films of the festival with the theme of family were analyzed and evaluated. Based on the findings, components such as intergenerational conflicts, child incompatibility, distorted image of masculinity, new patterns of relationships such as extramarital affairs, marital tension, lack of romantic relationships in family, restless family, prevalence of consumption-based capital, Women's careers, the importance of cyberspace, the emergence of fragmented and incomplete families, the decline of family authority, is a representation of the Iranian family.In these films, we seem to encounter profound family transformations in which there is a fundamental conflict between the transition from tradition to modernity. The family represented in the selected films has traditional, modern, and in some cases, integrated features.Some traditional roles such as the supportive role of women in the family, changes in relationship-function and conflicts of family members, study of individual and family relationships, family developments, changes in the dominant culture in the family and roles are represented in these productions. The results also show that while reducing the economic-supportive function of the family, its consumption dimension has increased. The major values presented in the films reflect the prevailing culture and values at the level of family-related discourses, through the extension of which the audience's understanding of the functioning and structure of the family and the necessity of this institution can be transformed.
