عنوان مقاله :
ﻧﺎمﻫﺎي ﻧﻤﺎدﯾﻦ ﺧﺪاوﻧﺪ در ﻣﺜﻨﻮي ﻣﻮﻻﻧﺎ ﺟﻼل اﻟﺪﯾﻦ ﻣﺤﻤﺪ ﺑﻠﺨﯽ
عنوان به زبان ديگر :
God's symbolic names in Rumi's Masnavi
پديد آورندگان :
پاكدل، مسعود داﻧﺸﮕﺎه آزاد اﺳﻼﻣﯽ واﺣﺪ راﻣﻬﺮﻣﺰ - ﮔﺮوه زﺑﺎن و ادﺑﯿﺎت ﻓﺎرﺳﯽ , شفيعي، مسعود داﻧﺸﮕﺎه آزاد اﺳﻼﻣﯽ واﺣﺪ راﻣﻬﺮﻣﺰ - ﮔﺮوه زﺑﺎن و ادﺑﯿﺎت ﻓﺎرﺳﯽ
كليدواژه :
نام , رمز , خدا , مولوي , مثنوي معنوي
چكيده فارسي :
ﺰ و ﻧﻤﺎد در ادﺑﯿﺎت ﺑﻪ ﻣﻌﻨﺎي ﭘﻮﺷﯿﺪه ﺳﺨﻦ ﮔﻔﺘﻦ در ﻣﻮرد ﮐﺴﯽ، ﭼﯿـﺰي و ﯾـﺎ ﻣﺴـﺌﻠﻪ اي اﺳـﺖ. اﯾـﻦ ﭘﻮﺷﯿﺪه ﺳﺨﻦ ﮔﻔﺘﻦ، ﺣﺎوي ﻣﻌﻨﺎﯾﯽ ﺑﺎﻃﻨﯽ اﺳﺖ ﮐﻪ ﻫﺪف از ﺑﯿﺎن ﻧﻤﺎدﯾﻦ آن ﻧﯿـﺰ ﺑﯿـﺎن ﻫﻤـﯿﻦ ﻣﻌﻨـﺎي ﺑـﺎﻃﻨﯽ
اﺳﺖ. در اﯾﻦ ﭘﮋوﻫﺶ ﺑﻪ ﺑﺮرﺳﯽ ﻧﺎمﻫﺎي ﻧﻤﺎدﯾﻦ ﺧﺪاوﻧﺪ در »ﻣﺜﻨﻮي ﻣﻌﻨﻮي« ﭘﺮداﺧﺘﻪاﯾـﻢ. ﺑـﺎ ﺗﻮﺟـﻪ ﺑـﻪ اﯾـﻦ ﭘﮋوﻫﺶ ﺛﺎﺑﺖ ﻣﯽﺷﻮد ﮐﻪ ﻣﻮﻟﻮي در ﺳﻪ دﺳﺘﻪ ﺑﻪ ذﮐﺮ ﻧﺎمﻫﺎي ﻧﻤـﺎدﯾﻦ ﺧﺪاوﻧـﺪ ﭘﺮداﺧﺘـﻪ اﺳـﺖ ﮐـﻪ ﻋﺒـﺎرت ﺴﺘﻨﺪ از: ﻧﻤﺎدﻫﺎي ﺑﺮآﻣﺪه از آب، ﻧﻤﺎدﻫﺎي ﺑﺮآﻣﺪه از ﻧﻮر و ﻧﻤﺎدﻫﺎي ﺑﺮآﻣﺪه از ﺣﺎﻻت ﺑﺸـﺮي. ﻫـﺮ ﯾـﮏ از
ﻤﺎدﻫﺎي ﺑﺎﻻ ﻧﯿﺰ ﺧﻮد ﺑﻪ زﯾﺮ ﺷﺎﺧﻪﻫﺎﯾﯽ ﺗﻘﺴﯿﻢ ﻣﯽﺷﻮد. از ﺑﯿﻦ ﻣﻮارد ﻣﺬﮐﻮر، ﺑﯿﺸـﺘﺮﯾﻦ ﮔـﺮاﯾﺶ ﻣﻮﻟـﻮي به ﻧﻤﺎدﻫﺎي ﺑﺮآﻣﺪه از آب ﺑﻮده اﺳﺖ. ﻋﻠﺖ ﮔﺮاﯾﺶ وي، ﻋﺎﻣﻞ ﮔﻮﻧﺎﮔﻮﻧﯽ، ﺗﻨﻮّع و ﭘﺎﮐﯽ اﯾﻦ ﻧﻤﺎد اﺳﺖ.
چكيده لاتين :
The mystery and symbol in literature is used as a way for talking indirectly and mysteriously about someone or something. This hidden or occult talk bears an inner meaning the purpose of which is a symbolic expression of a further implied meaning. In this study, we examined the symbolic names used for God in spiritual text of Rumi’s Mathnavi. According to the findings of the research, it is proved that Rumi has referred to the symbolic names of God under three categories: water-based symbols, light-emblems, and emblems derived from human states. Each of the above symbols is also subdivided into subcategories. Among the above mentioned cases, Rumi's most frequent tendency has been toward using water-emblems. The reason for this tendency is among other things, the diversity and purity of this symbol.
عنوان نشريه :
عرفانيات در ادب فارسي