خواﻧﺶ ﺷﻤﺎﯾﻠﯽ ﻧﻘﺎﺷﯽ ﺣﻀﺮت ﻋﻠﯽ (ع) و ﺣﺴﻨﯿﻦ (ع)دردوره ﻗﺎﺟﺎر ﻣﺤﻔﻮظ درﻣﻮزه آﺳﺘﺎن ﻗﺪس

"Reading of the Paintings of Prophet Ali and Hossein in the Qajar Period at the Astan Quds Museum"

ﺗﺎﺑﻠﻮي ﻧﻘﺎﺷـﯽ ﺷـﻤﺎﯾﻞﻧﮕﺎري اﻣﺎم ﻋﻠﯽ )ع(و ﺣﺴـﻨﯿﻦ ع ﻧﺴـﺨﻪ ﺗﺼـﻮﯾﺮي اﺳـﺖ ﮐﻪ ﻧﻮﻋﯽ از ﻧﻘﺎﺷـ ﯽﻫﺎي ﭘﺮده دروﯾﺸـ ﯽ دراﺑﻌﺎد ﺑﺰرگ ﺑﻮده و ﺟﺰو ﻧﻘﺎﺷـ ﯽﻫﺎي ﻣﺬﻫﺒﯽ در درﺑﺎر ﻗﺎﺟﺎر ﻣﯽﺑﺎﺷـﺪ. اﯾﻦ آﺛﺎر ﺟﺪا از ﻣﻮﺿـﻮع ﻫﻨﺮي داراي ﺟﻨﺒـﻪ اﻫﻤﯿـﺖ اﻧﺘﻘـﺎل ﻓﺮﻫﻨـﮓ در دوره ﻫـﺎي ﻣﺨﺘﻠﻒ اﺳـــﺖ. ﻣﻄـﺎﻟﻌـﻪ اﯾﻦ آـﺛﺎر ـﺑﻪ ﻟﺤـﺎظ وﯾﮋﮔﯽ ﻫﺎي ﻣﻔﻬﻮﻣﯽ و ﻧﻤﺎدﯾﻦ، وﯾﮋﮔﯽ ﻫﺎي ﻧﻤﺎدﯾﻦ و ﺗﺰﯾﯿﻨﯽ و وﯾﮋﮔﯽ ﻫﺎي ﺑﺼـﺮي ﺣﺎﯾﺰ اﻫﻤﯿﺖ اﺳـﺖ. اﯾﻦ ﻧﻮع ﻧﻘﺎﺷـﯽ ﻫﺎي ﻣﺬﻫﺒﯽ در دوره ﻗﺎﺟﺎر روﻧﻖ ﺑﯿﺸـﺘﺮي ﮔﺮﻓﺘﻪ اﺳـﺖ و ﺑﻪ ﻟﺤﺎظ ﺑﺮرﺳـﯽ ﺳـﺒﮏ ﻫﻨﺮي ﻧﯿﺰ ﺣﺎﯾﺰ اﻫﻤﯿﺖ ﻫﺴـﺘﻨﺪ و زﻣﯿﻨﻪ ﻣﻨﺎﺳـﺒﯽ ﺑﺮاي ﺑﺮرﺳـﯽ ﺗﺤﻮﻻت در وﯾﮋﮔﯽ ﻫﺎي ﺑﺼـﺮي ﺗﺼـﺎوﯾﺮ ﭘﺮده ﻫﺎي ﻣﺬﻫﺒﯽ از دوره ﻗﺎﺟﺎر ﻣﯽ ﺑﺎﺷـﻨﺪ. ﻫﺪف اﯾﻦ ﭘﮋوﻫﺶ ﭘﯽ ﺑﺮدن ﺑﻪ ﻣﻌﻨﺎي ﻧﻬﻔﺘﻪ دراﯾﻦ اﺛﺮ ﻧﻘﺎﺷـﯽ ﺷـﺎﺧﺺ در اﯾﻦ دوره اﺳـﺖ. اﯾﻦ اﺛﺮ ﺑﺎزدﯾﺪ ﻋﻤﻮم ﻧﺪاﺷـﺘﻪ و در ﮔﻨﺠﯿﻨﻪ ﺑﻪ ﺷـﻤﺎره اﻣﻮاﻟﯽ ﺷـﻤﺎره اﻣﻮاﻟﯽ 19056و ﺑﺎ اﺑﻌﺎد 75 × 105 ﻧﮕﻬﺪاري ﻣﯽ ﺷـﻮد. ﺳـﻮال اﯾﻦ ﭘﮋوﻫﺶ اﯾﻦ اﺳـﺖ ﮐﻪ ﭼﻪ ﺗﺤﻮل ﻣﻌﻨﺎﺷـﻨﺎﺳـﺎﻧﻪ ﻣﺬﻫﺒﯽ دراﯾﻦ اﺛﺮ وﺟﻮد دارد؟ وﯾﮋﮔﯽ ﻫﺎي ﺳـﺎﺧﺘﺎري و ﺑﺼـﺮي آن در رﺳـﺎﻧﺪن ﻣﻔﻬﻮم ﭼﮕﻮﻧﻪ اﺳـﺖ؟ روش ﺗﺤﻘﯿﻖ دراﯾﻦ ﭘﮋوﻫﺶ ﺗﻮﺻـﯿﻔﯽ- ﺗﺤﻠﯿﻠﯽ و ﺑﺎ اﺳـﺘﻔﺎده ازﻣﻨﺎﺑﻊ ﮐﺘﺎﺑﺨ ﺎﻧﻪ اي و ﺑﺮرﺳـﯽ ﻧﻤﻮﻧﻪ ﻣﻮزه اي اﺛﺮ اﻧﺠﺎم ﺷـﺪه اﺳـﺖ و ﺷـﯿﻮه ﺗﺤﻠﯿﻞ اﺛﺮ ﺑﺮاﺳـﺎس ﺑﺮرﺳـﯽ اﺻـﻮل و ﻗﻮاﻋﺪ ﺗﺠﺴـﻤﯽ ﺑﻪ ﮐﺎررﻓﺘﻪ در وﯾﮋﮔﯽ ﻇﺎﻫﺮي ﺗﺼـﻮﯾﺮ و ﻣﻌﻨﺎي ﻧﻤﺎدﯾﻦ ﻧﻬﻔﺘﻪ درآن اﺳــﺖ. ﻧﺘﺎﯾﺞ اﯾﻦ ﭘﮋوﻫﺶ ﻧﺸــﺎن ﻣﯽ دﻫﺪ دراﯾﻦ ﻧﻘﺎﺷــﯽ ﻧﺸــﺎﻧﻪﻫﺎ و و ﯾﮋﮔﯽﻫﺎي ﺑﺼــﺮي ﺑﻪ موﺿﻮع وﻻﯾﺖ ﺷﯿﻌﯽ اﺷﺎره دارد.

Paintings of the iconography of Imam Ali and Hossein AS is an image version of a type of Darwish curtain painting, used in large and royal dimensions and is one of the religious paintings of the royal court. This type of dervish curtains was very large in size and was made for the king. Many scholars have drawn attention to the study of these paintings, but the two paintings have never been separated. One of the best visual examples of this painting is the Astan Quds Razavi Museum, which has not been studied at all. According to the author, this painting is probably "painted for the Shah and used by court painters. The findings of this study indicate that this painting is based on the criteria of Qajar court painting, the subject of Shi'a province, angle of view, religious elements in three sections. This study assumes that the structural elements and visual features of the painting are in order to reach an effective meaning .This study seeks to answer these two fundamental questions about what visual features are used in this painting? The content of the present study is qualitative and is based on descriptive methodology Lily and the library have collected the results and the results show that this painting is commissioned by a court-appointed painting by a courtesan and deals with the subject of Shi'ite province. Keywords: Qajar, Religious Painting, Iconography, Visual Property, Structure.