تجلي بن‌مايه‌هاي فرهنگ اسلامي-شرقي در رمان‌هاي سحر خليفه

Manifestation of the themes of Islamic-Eastern culture in Sahar Khalifa novels

ﺳﺤﺮ ﻋﺪﻧﺎن ﺧﻠﯿﻔﻪ ﻧﻮﯾﺴﻨﺪه ﻣﺸﻬﻮر و ﻣﺴﻠﻤﺎن ﻓﻠﺴﻄﯿﻨﯽ ﺑﻪﻋﻨﻮان ﯾﮑﯽ از ﭘﺮﭼﻤﺪاران ﻧﻮﯾﺴﻨﺪﮔﯽ ﻋﺮب و ﻓﻠﺴﻄﯿﻦ اﺳﺖ. او ﺑﺎ ﭘﺮداﺧﺘﻦﺑﻪ ﻣﻀﺎﻣﯿﻨﯽ ﭼﻮن زن ﺷﺮﻗﯽ و ﻓﻠﺴﻄﯿﻨﯽ و ﻫﻤﭽﻨﯿﻦ ﻣﻔﺎﻫﯿﻢ ﮔﺴﺘﺮده وﻃﻦ و ﭘﺎﯾﺪاري در ﻣﻘﺎﺑﻞ ﻇﻠﻢ و اﺷﻐﺎل، ﺑﺮ ﻓﺮﻫﻨﮓ اﺻﯿﻞ اﺳﻼﻣﯽ و ﻣﺬﻫﺒﯽ و در ﻋﯿﻦ ﺣﺎل ﺷﺮﻗﯽ ﺗﺎﮐﯿﺪ دارد. در آﺛﺎر او ﭼﯿﺴﺘﯽ اﻧﺴﺎن ﻋﺮﺑﯽ و ﻓﻠﺴﻄﯿﻨﯽ و ﻧﯿﺰ ﺷﻨﺎﺧﺖ و ﺗﻌﺮﯾﻒ زن ﺑﻪﻋﻨﻮان ﻣﻬﻢﺗﺮﯾﻦ ﺟﻠﻮهﻫﺎي ﻫﻮﯾﺖ ﺷﻨﺎﺧﺘﻪ ﻣﯽﺷﻮﻧﺪ. زن ﺷﺮﻗﯽ و ﻓﻠﺴﻄﯿﻨﯽ ﭼﻬﺮهﻫﺎي ﻣﺨﺘﻠﻒ ﻣﺜﺒﺖ و ﻣﻨﻔﯽ دارد ﮐﻪ ﺑﻪ ﻫﻤﺎن ﻣﯿﺰان ﻫﻮﯾﺖ ﺧﻮد را ﻧﺸﺎن ﻣﯽدﻫﺪ و ﻧﯿﺰ ﻫﻨﮕﺎﻣﯽﮐﻪ ﺑﻪ وﻃﻦ و ﭘﺎﯾﺪاري ﻣﯽﭘﺮدازد ﺟﺰ در ﺧﺪﻣﺖ ﻫﻮﯾﺖ ﻣﻠﯽ ﮔﺎم ﺑﺮﻧﺪاﺷﺘﻪ اﺳﺖ. در اﯾﻦ ﺟﺴﺘﺎر ﭼﮕﻮﻧﮕﯽ ﺟﻠﻮهﻫﺎي ﻫﻮﯾﺘﯽ ﯾﺎد ﺷﺪه ﻣﻮرد ﺑﺮرﺳﯽ ﻗﺮار ﻣﯽﮔﯿﺮد. اﯾﻦ ﻣﻘﺎﻟﻪ از ﻧﻮع ﺗﻮﺻﯿﻔﯽ و ﺗﺤﻠﯿﻠﯽ ﺗﻬﯿﻪ و ﺗﺪوﯾﻦ ﮔﺮدﯾﺪه اﺳﺖ و در ﻋﯿﻦ ﺣﺎل ﺑﺎ روش ﮐﺘﺎﺑﺨﺎﻧﻪاي و ﻣﺮاﺟﻌﻪ ﺑﻪ اﺳﻨﺎد و ﻣﺪارك ﻣﻌﺘﺒﺮ ﺗﻼش ﻣﯽﻧﻤﺎﯾﺪ دادهﻫﺎي ﻣﻮرد ﻧﻈﺮ را ﺗﻨﻈﯿﻢ ﻧﻤﺎﯾﺪ. ﺑﺎ ﻧﻘﺪ و ﺑﺮرﺳﯽ آﺛﺎر ﺳﺤﺮ ﺧﻠﯿﻔﻪ ﯾﺎﻓﺘﻪﻫﺎ ﺑﯿﺎﻧﮕﺮ آﻧﺴﺖ ﮐﻪ ﺑﻪرﻏﻢ ﺗﺤﺼﯿﻞ در ﻣﻤﺎﻟﮏ ﻏﺮﺑﯽ ﻫﺮﮔﺰ از ﺗﻤﺪن و ﻓﺮﻫﻨﮓ اﺳﻼﻣﯽ و ﺷﺮﻗﯽ ﺧﻮد دوري ﻧﮕﺰﯾﺪه اﺳﺖ.

Sahar Adnan Khalifa is a well-known Palestinian Muslim writer as one of the flagships of Arab and Palestinian writing. By addressing issues such as Eastern and Palestinian women, as well as the broad concepts of homeland and resilience against oppression and occupation, she emphasizes the original Islamic and religious culture, as well as the East. In his works, what is the Arab and Palestinian man as well as the recognition and definition of women are known as the most important manifestations of identity. Eastern and Palestinian women have different positive and negative faces that show their identity to the same extent, and also when it comes to homeland and stability, she has not taken any steps except in the service of national identity. This paper examines how these identities manifest. This article has been prepared and compiled in a descriptive and analytical manner, and at the same time, it tries to regulate the desired data by using the library method and referring to valid documents. Criticizing the works of Sahar Khalifa, the findings show that despite studying in Western countries, he has never distanced himself from his Islamic and Eastern civilization and culture.