بررسي هماهنگي موسيقي كناري سور حواميم از رهگذر سبك شناسي آوايي

Investigating the harmony of Sur Hawamim side music through phonetic stylistics

انسجام دروني قرآن كريم به عنوان يكي از جلوه هاي تناسب لفظ و معنا، گاه برگرفته از همنشيني مجموعه آوايي واژگان است كه در ايجاد سطوح معنايي مختلف و تصويرسازي هاي ذهني براي مخاطب نقش اساسي بر عهده دارد. چينش خاص واژگان با موسيقي منحصر به فرد آن، به عنوان يكي از جلوه هاي اعجاز بياني قرآن كريم، تداع يگر مفاهيم خاص قرآني و بيان حالات و موقعي تهاي مختلفي است كه از راه جلوه هاي متنوع موسيقايي قرآن بدست مي آيد. موسيقي كناري واژگان به عنوان يكي از زيرشاخه هاي سبك شناسي آوايي، با بهر هگيري از توازن و هماهنگي در فواصل آيات، نقشي مهم در تجسّم صحنه ها و رخدادهاي مطرح شده در قرآن دارد. سور حواميم ضمن آنكه داراي حروف مقطعه مشابه ي در واژگان ابتدايي خود هستند، نزولي پي در پي داشته و در مصحف شريف نيز پشت سر هم قرار گرفته اند؛ به همين دليل در اين نوشتار سعي شده است تا تناسب اين سور از رهگذر سبك شناسي و در سطح آوايي مورد واكاوي قرار گيرد. نتايج اين پژوهش كه به روش توصيفي - تحليلي است، نشان ميدهد كه فواصل آيات در «سور حواميم » به طور غالب و چشمگيري به يكي از حروف «نون » و «ميم » ختم شده و حروف ما قبل خواتيم در سطح قابل تأملي به يكي از حروف مدي ختم شده است كه اين مسأله نه تنها به تحريك احساسات مخاطبان انجاميده، بلكه اغراض آيه و سور را به خوبي تداعي نموده است.

The Holy Quran is a book that has many miraculous aspects, the first and most obvious of which is incarnation, which is a universal language, so that every listener, both Arabic and non-Arabic, who hears it, is thrilled and his feelings are changed. Although the Qur'an is an unparalleled and unique miracle and human beings can not compete with it and the way of fabricating even one surah of it is beyond the ability of man and jinn, but it is composed of these familiar words and phrases of our mind and its miraculous aspects can be Checked. The science of stylistics is one of the sciences through which one can explore its phonetics and reveal the angles of its musical miracle. One of the levels of stylistics is phonetic stylistics, one of the sub-branches of which is side music, which is the result of balance and harmony between verses. On the other hand, the consensus of the scholars of Quranic sciences is that there is a special verbal and contentual correspondence between the Suri who have similar syllables. an‎d they are placed one after the other in the Holy Qur'an; For this reason, in this article, an attempt has been made to analyze the appropriateness of this chapter through stylistics and at the phonetic level. The results of this analysis, which is descriptive-analytical, show that the intervals of verses in these seven suras are predominantly and significantly ending in one of the letters "Nun" and "Meem" and the letters we read before are at a very reflective level. It has ended in one of the fashionable letters, which not only creates ecstasy in the audience, but also is completely in line with the intentions of the verse and the verse.