پديد آورندگان :
صالح آهنگر، مژگان دانشگاه آزاد اسلامي واحد ساوه - دانشكده فني و مهندسي - گروه معماري , تيزقلم زنوزي، سعيد دانشگاه آزاد اسلامي واحد تهران مركز - دانشكده هنر و معماري - گروه معماري , جاويدي نژاد، مهرداد دانشگاه آزاد اسلامي واحد تهران مركز - دانشكده هنر و معماري - گروه معماري
كليدواژه :
ارزيابي راهبردي , روش هاي فرهنگ سازي , اصول پايه اي معماري , فرهنگ سازي معماري , مشاركت مردمي
چكيده فارسي :
تبيين روش‌هاي فرهنگ‌سازي و بررسي نقاط ضعف و قدرت آن‌ها قدم اول در آموزش اصول پايه‌اي معماري به عامه مردم، قطب مهم كنترل و نظارت بر ساختمان‌سازي صحيح، هست. هدف از انجام اين پژوهش معرفي و ارزيابي عملكرد فعلي روش‌هاي فرهنگ‌سازي اصول پايه‌اي معماري در جامعه ايران است. اين مقاله به لحاظ هدف از نوع كاربردي هست و رويكرد روش‌شناسي آن آميخته (كمي-كيفي) است. ابتدا با مطالعات كتابخانه‌اي اصول معماري و روش‌هاي شاخص فرهنگ‌سازي تبيين و سپس عملكرد فعلي اين روش‌ها با شواهد كميت‌پذير، با زبان آمار و ارقام، بيان‌شده‌اند. جامعه‌ي آماري اين تحقيق با توجه به تنوع فرهنگي از شهر تهران انتخاب‌شده است. نتايج تحقيق حاكي از توجه و علاقه زياد مردم به آگاهي يافتن از اصول معماري است و درعين‌حال عملكرد فعلي نهادهاي فرهنگ‌ساز در اين زمينه ضعيف است. مشاركت مردمي روشي با اثربخشي بالا است. رسانه‌هاي ديداري و فضاي مجازي از روش‌هاي كم‌هزينه و با سرعت بالا محسوب ميشود.
چكيده لاتين :
Today, perhaps more than ever, we are in disarray in the field of architecture and the city. On the other hand, we cope with buildings that have nothing to do with the history and culture of our country and without cultural, social, and philosophical backgrounds, according to the tastes and welcome of employers and designers, based on foreign examples, in the corners of our cities and views. However, in the field of residential architecture, we see the construction of buildings that are under the rule of the economic view of the city and architecture and to become more profitable, cultural, social, and natural features of its construction completely ignored and regardless of various cultural characteristics The different ethnic groups of Iran, in all the vast and diverse areas of the land of Iran, are made the same and uniform. Undoubtedly, the effect of cultural patterns on human artifacts in lands that are the origin of ancient civilizations and cultures, which have a longer life history, due to during the time and the impact of various historical, social, economic, and natural factors. The plateau of Iran with more than a few thousand years of history in civilization and life in its cultural and natural areas is one of these lands. Because of its inherent nature, the field of architecture has a two-way interaction between architects and people. Explaining cultural methods and examining their weaknesses and strengths is the first step in teaching the basic principles of architecture to the general public, an important hub of control and supervision of proper construction. The purpose of this study is to introduce and evaluate the current performance of cultural methods of basic principles of architecture in Iranian society. This article is applied in a methodological approach, the mixture of quantitative-qualitative. First, they are explained by library studies of architectural principles and methods of cultural indexation, and then the current performance of these methods is expressed with quantitative evidence, in the language of statistics. The statistical population of this study has been chosen from Tehran according to cultural diversity. The results of the research indicate that people are very interested in learning about the importance of architecture, although the current performance of cultural institutions in this field is weak. Public participation is a highly effective method. Visual media and cyberspace are low-cost and high-speed. Paying attention to the public issue and trying to solve it is not possible without public participation. Intellectuals and people of culture must work to raise the level of awareness of the people and the country to develop and excel, and if the level of awareness and culture of the people increases, the people will recognize the issues from each other and will be aware of their rights. It is hoped that the general public will become more aware of the basic principles of architecture and that the public, as one of the most influential nuclei, will require builders and architects to adhere more closely to the principles of architecture.
