شماره ركورد :
1287061
عنوان مقاله :
كاركردهاي جامعه‌شناختي اسطوره در نقاشي معاصر ايران با تمركز بر آراي كلود لوي استروس
عنوان به زبان ديگر :
The Sociological Functions of Myth in Contemporary Iranian Painting Regarding Claude Lévi-Strauss
پديد آورندگان :
قربان نژادزواردهي، مهديه دانشگاه شاهد - دانشكده هنر - گروه نقاشي تهران، ايران , هاشمي، محمد دانشگاه آزاد اسلامي واحد علوم و تحقيقات - دانشكده حقوق، الهيات و علوم سياسي، تهران، ايران.
تعداد صفحه :
9
از صفحه :
5
از صفحه (ادامه) :
0
تا صفحه :
13
تا صفحه(ادامه) :
0
كليدواژه :
اسطوره , كاركردجامعه شناختي , كلود لوي استروس , نقاشي معاصر ايران
چكيده فارسي :
انسان با زبان، نماد و اسطوره ­ها مي ­انديشد و با پيرامون خود در تعامل است. اسطوره در هنر كاركردهاي متعددي مي ­يابد كه از جمله­ ي آنها كاركردهاي جامعه­ شناختي است.كلود لوي استروس، معتقد است كه انسان به­ واسطه ­ي تقابل ­هاي دوگانه كه از ويژگي هاي بارز اسطوره است، به حل تعارض ­هاي زندگي مي ­پردازد. پژوهش حاضر با هدف بررسي تقابل هاي دوگانه ي ساختاري با كاركرد جامعه شناختي اسطوره براساس آراي لوي استروس، در نقاشي معاصر ايران صورت گرفته است. سوالات پژوهش عبارتند از: 1. عوامل مؤثر در شكل گيري كاركرد جامعه شناختي اسطوره در نقاشي معاصر ايران چيست؟ 2. اسطوره براساس آراي لوي استروس چگونه در نقاشي معاصر ايران كاركرد جامعه ­شناسانه يافته است؟ اين پژوهش به روش توصيفي - ­تحليلي و براساس مطالعات كتابخانه­ اي و مشاهده آثار به سرانجام رسيده است. آثار مورد بررسي به روش نمونه­ گيري قضاوتي انتخاب شده­اند. نتايج حاصل نشان مي ­دهد، هنرمندان معاصر ايراني با تكيه بر اسطوره ­هاي ايراني به كنكاش و جست وجوي يافتن راهي براي دنياي آرماني خود توسل جسته ­اند. تاحدي كه در راه جست وجو براي رسيدن به ارزش ­هاي انساني و انتقاد به خوي و منش غيرانساني به اسطوره ­هاي غربي نيز وجوهي ايراني بخشيده ­اند كه با شيوه ­هاي نمادپردازانه­ ي گونه ­گوني در آثار نقاشي آنان بروز يافته است.
چكيده لاتين :
Man thinks with language, symbols and myths and interacts with his surroundings. Myth and art have a common theme because they both speak of the unconscious. The reproduction of ancient myths in contemporary paintings also shows this connection and interest. Prominent anthropologist and mythologist Claude Levi-Strauss, one of the pioneers of structuralist theory, considers human thinking to be dialectical. In other words, man resolves the conflicts of his life through double confrontations. Thus, from the point of view of Levi-Strauss, the distinctive feature of mythology is the elimination or, in a more precise sense, the modification of the contrasts it expresses. Complex and unsolvable confrontations such as the confrontation between culture and nature as well as the confrontation of life and death. and myths help man to solve his problems by creating similar but solvable contradictions and putting them next to unsolvable contradictions. Thus, for Strauss, myth is the search to find the immutable among superficial differences. In this way, myth according to Levi-Strauss can have different functions such as moral function, social function, cultural function and psychological function. Iranian painters, along with artists around the world, have paid special attention to the function of myth in art. Based on their individual and social experiences, they have addressed their concerns in their own way through the creation of works of art. The aim of this study was to investigate the dual structural contrasts with the sociological function of myth based on the views of Levi-Strauss and how it is reflected in contemporary Iranian painting. The main research questions are: 1. What are the effective factors in the formation of the sociological function of myth in contemporary Iranian painting? 2. How has myth, based on the views of Levi-Strauss, found a sociological function in Iranian painting? This research has been completed by descriptive-analytical method based on library studies and observation of works. The studied works have been selected from the works of contemporary Iranian painters by judgmental sampling method. Each of the contemporary artists studied, in terms of individual and social experiences, has addressed their concerns in their own way through the creation of works of art; Therefore, the factors influencing the formation of the sociological function of myth in the works of art are different.The results of the research show that contemporary Iranian artists, relying on Iranian myths, have resorted to research and search to find a way to their ideal world. This reliance on Iranian myths has been to such an extent that these artists, in their quest to achieve human values and criticize inhuman temperament, have also given Iranian aspects to Western myths, using symbolic methods of variety in their works. Their painting has emerged, which can be explained by the views of Levi-Strauss.
سال انتشار :
1400
عنوان نشريه :
رهپويه هنر - هنرهاي تجسمي
فايل PDF :
8681972
لينک به اين مدرک :
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