ﺗﻌﺎدل در ﺻﻮرت ﻣﺘﮑﺜﺮ ﻧﻮر واﺣﺪ (ﻧﻤﻮﻧﻪ ﻣﻮردي ﭘﻨﺠﺮه ﻫﺎي ارﺳﯽ ﺷﺒﺴﺘﺎن ﻣﺴﺠﺪ ﻧﺼﯿﺮاﻟﻤﻠﮏ)

Equilibrium in Plural Shape of Unique Light in Case of Sash Windows of Nasir al-Mulk Mosque

اﻫﺪاف : ﭘﻨﺠﺮه ﻫﺎي رﻧﮕﯽ ﺟﺰﯾﯽ از ﻣﻌﻤﺎري ﺑﻨﺎﻫﺎي ﺳﻨﺘﯽ اﯾﺮان در دوره اﺳﻼﻣﯽ ﻫﺴﺘﻨﺪ، ﮐﻪ ﺑﻪ ﻋﻨﻮان دروازهﻫﺎي ﻋﺒﻮر ﻧﻮر واﺣﺪ ﺑﻪ ﻓﻀﺎ و ﺗﮑﺜﯿﺮ ﮐﻨﻨﺪه آن ﺑﻪ رﻧﮓﻫﺎي ﮔﻮﻧﺎﮔﻮن اﯾﻔﺎي ﻧﻘﺶ ﻣﯽﮐﻨﻨﺪ. ا ﻫﺪف ﮐﻼن ﭘﮋوﻫﺶ، اﯾﺠﺎد ﺣﺴﺎﺳﯿﺖ درزﻣﯿﻨﻪ ﻃﺮاﺣﯽ اﺻﻮﻟﯽ ﺷﯿﺸﻪ ﻫﺎي رﻧﮕﯽ ، ﺑﯿﺎن اﺻﻮﻟﻤﻨﺪي اﺳﺘﻔﺎده از رﻧﮓ ﻫﺎ در ﭘﻨﺠﺮه ﻫﺎي رﻧﮕﯽ ﺑﻨﺎﻫﺎي ﺳﻨﺘﯽ و اﺳﻼﻣﯽ ،ﮐﺸﻒ ر اﺑﻄﻪ ﺗﻌﺪﯾﻞ ﻧﻮر ﺗﻮﺳﻂ ﺷﯿﺸﻪ ﻫﺎي رﻧﮕﯽ وﮐﯿﻔﯿﺖ ﻓﻀﺎي ﻣﻌﻤﺎري در ﺳﯿﺴﺘﻢ روﺷﻨﺎﯾﯽ ﭘﺎﯾﺪار ﻣﯽ ﺑﺎﺷﺪ. در ﻣﻘﯿﺎس ﺧﺮدﺗﺮ ﻫﺪف از ﺑﺮرﺳﯽ، دﺳﺘﯿﺎﺑﯽ ﺑﻪ ﯾﮑﯽ از ﺷﺎﺧﺼﻪﻫﺎي ﻣﻮﺛﺮ در اﯾﺠﺎد ﺗﻌﺎدل در ﯾﮏ ﺑﻨﺎي ﻣﺎﻧﺪﮔﺎر)ﻣﺴﺠﺪ ﻧﺼﯿﺮاﻟﻤﻠﮏ( اﺳﺖ. اﺑﺰار و روش ﻫﺎ : ﻧﻮع ﭘﮋوﻫﺶ ﮐﯿﻔﯽ -ﮐﻤﯽ اﺳﺖ و اﺳﺘﺨﺮاج ﻣﻄﺎﻟﺐ از ﻃﺮﯾﻖ ﮔﺮدآوري اﻃﻼﻋﺎت از ﻣﻨﺎﺑﻊ اﺳﻨﺎدي و ﺑﺮداﺷﺖ ﻣﯿﺪاﻧﯽ از اﻟﮕﻮ و ﻣﺴﺎﺣﺖ ﺷﯿﺸﻪ ﻫﺎي رﻧﮕﯽ، ﻣﺴﺠﺪ ﻧﺼﯿﺮاﻟﻤﻠﮏ اﻧﺠﺎم ﺷﺪه اﺳﺖ.در ﻧﻬﺎﯾﺖ از ﻃﺮﯾﻖ ﻗﯿﺎس ﺗﻄﺒﯿﻘﯽ ﺗﻨﺎﺳﺐ ﺳﻄﻮح رﻧﮕﯽ ﺷﯿﺸﻪﻫﺎ ﺑﺎ ﻣﺒﺎﻧﯽ ﻧﻈﺮي ﻧﺘﺎﯾﺞ ﺣﺎﺻﻞ اﺳﺘﺨﺮاج ﮔﺮدﯾﺪه اﻧﺪ. ﯾﺎﻓﺘﻪ ﻫﺎ: در ﺷﺒﺴﺘﺎن ﻧﻤﻮﻧﻪ، ﭘﻨﺞ ﮔﻮﻧﻪ رﻧﮓﺑﻨﺪي ﮐﻠﯽ و 15ﮔﻮﻧﻪ رﻧﮓﺑﻨﺪي ﺟﺰﯾﯽ ﻣﻮرد ﺗﺠﺰﯾﻪ و ﺗﺤﻠﯿﻞ ﻗﺮار ﮔﺮﻓﺖ. رﻧﮓﻫﺎي آﺑﯽ، ﻓﯿﺮوزه اي، ﺳﺒﺰ )رﻧﮓ ﻫﺎي ﺳﺮد( و رﻧﮓ ﻫﺎي ﻗﺮﻣﺰ و زرد )رﻧﮓ ﻫﺎي ﮔﺮم( ﺑﺎ ﺣﻔﻆ ﺗﻌﺎدل و ﺑﻪ ﺻﻮرت ﯾﮏ درﻣﯿﺎن در ﭘﻨﺠﺮه ﻫﺎي ارﺳﯽ ﺑﻪ ﮐﺎر رﻓﺘﻪ اﻧﺪ. ﻧﺘﯿﺠﻪ ﮔﯿﺮي : اﺳﺘﺨﺮاج ﻧﺴﺒﺖ رﻧﮓﻫﺎي ﺳﺮد ﺑﻪ ﮔﺮم ﻧﺰدﯾﮏ ﺑﻪ ﯾﮏ در ﺗﻄﺒﯿﻖ ﺑﺎ ﻣﺒﺎﻧﯽ ﻓﻠﺴﻔﻪ اﺳﻼﻣﯽ ﻣﺸﺨﺺ ﻧﻤﻮد ﮐﻪ، اﻟﮕﻮي ﺗﻮزﯾﻊ رﻧﮓﻫﺎ در ﻓﻀﺎ، ﺑﻌﺪ از ﻋﺒﻮر ﻧﻮر ﺳﻔﯿﺪ از ﺷﯿﺸﻪ ﻫﺎي رﻧﮕﯽ، ﺗﺼﺎدﻓﯽ ﻧﺒﻮده اﺳﺖ و در اﯾﻦ زﻣﯿﻨﻪ ﻫﻢ وﺣﺪت و ﭘﺎﯾﺪاري ﻧﻤﻮد ﯾﺎﻓﺘﻪ اﺳﺖ.

Aims: Colored windows are part of the architecture of traditional Iranian buildings in the Islamic period, which act as gates for the passage of single light into space and its division into different colors. The main purpose of research is to create sensitivity in design of colored glass, to express the principle of using color in colored windows of traditional and Islamic buildings, to discover the relationship between color separation and architectural space quality in sustainable lighting system. the other goal is to achieve one of the effective characteristics in creating balance in a permanent building of Nasir-al-Molk-Mosque. Methods: The type of research is qualitative-quantitative. The extraction of materials has been done by collecting information from documentary sources and field perception of the pattern and area of Nasir Al-Molk Mosque colored glass. Finally, through the comparative analogy of the proportion of colored glass surfaces with the theoretical basis of the results have been extracted. Findings: In the sample, five types of general coloring and 15 types of partial coloring were analyzed. Blue, turquoise, green (cold colors) and red and yellow (warm colors) are used in colored windows with balance and one in between. Conclusion: Extraction of the ratio of cold to warm colors close to one in accordance with the principles of Islamic philosophy showed that, the pattern of color distribution in space was not random, and in this regard, there is unity.