پديد آورندگان :
ﺿﯿﺎء ﻣﻄﻠﻖ، ﺗﻮران داﻧﺸﮕﺎه آزاد اﺳﻼﻣﯽ واﺣﺪ ﺳﺎوه - ﮔﺮوه زﺑﺎن و ادﺑﯿﺎت ﻓﺎرﺳﯽ، ﺳﺎوه، اﯾﺮان , فلاحي، منيژه داﻧﺸﮕﺎه آزاد اﺳﻼﻣﯽ واﺣﺪ ﺳﺎوه - ﮔﺮوه زﺑﺎن و ادﺑﯿﺎت ﻓﺎرﺳﯽ، ﺳﺎوه، اﯾﺮان , ﻓﻬﯿﻤﯽ، رﺿﺎ داﻧﺸﮕﺎه آزاد اﺳﻼﻣﯽ واﺣﺪ ﺳﺎوه - ﮔﺮوه زﺑﺎن و ادﺑﯿﺎت ﻓﺎرﺳﯽ، ﺳﺎوه، اﯾﺮان
كليدواژه :
ﺳﺒﮏ ﺷﻨﺎﺳﯽ , زﻧﺪه اﻧﮕﺎري , ﺳﻌﺪي، مصلح بن عبدالله , ﻃﺒﯿﻌﺖ و ﻏﺰﻟﯿﺎت , زﻧﺪه اﻧﮕﺎري ﻋﻨﺎﺻﺮ ﻃﺒﯿﻌﺖ
چكيده فارسي :
ﭼﮑﯿﺪه ﺳﺒﮏ ﺷﻨﺎﺳﯽ )stylistics( ﯾﮑﯽ از ﻣﻬﻢ ﺗﺮﯾﻦ روﯾﮑﺮدﻫﺎي ﺟﺪﯾﺪ ﻧﻘﺪي اﺳﺖ ﮐﻪ ﻣﯽ ﮐﻮﺷﺪ ﺗﺎ از ﻃﺮﯾﻖ ﻣﻄﺎﻟﻌﻪ ﺳﺎﺧﺘﺎر ﻣﺘﻦ و ﺗﺠﺰﯾﻪ و ﺗﺤﻠﯿﻞ ﻋﻨﺎﺻﺮ آن ﺑﺮ ﻃﺒﻖ ﺳﻪ ﺳﻄﺢ آواﯾﯽ، ﻧﺤﻮي و دﻻﻟﯽ ﺑﻪ ﮐﯿﻔﯿﺖ ارﺗﺒﺎط ﺑﯿﻦ اﯾﻦ ﺳﻄﻮح ﭘﺮداﺧﺘﻪ و ﺑﻪ ﺟﻨﺒﻪ ﻫﺎي ادﺑﯽ، زﯾﺒﺎﯾﯽ ﺷﻨﺎﺳﯽ و ﻋﺎﻃﻔﯽ وراي ﺳﺎﺧﺘﺎر ﻣﺘﻦ دﺳﺖ ﯾﺎﺑﺪ. در اﯾﻦ ﺑﯿﻦ، زﻧﺪه اﻧﮕﺎري )Animation( ﯾﮑﯽ از دﯾﺪﮔﺎه ﻫﺎي ﺣﯿﺎت ادراﮐﯽ ﺟﻤﺎدات ﺛﺎﺑﺖ ﻣﯽﺑﺎﺷﺪ و ﺑﺮ اﯾﻦ ﺑﺎور اﺳﺖ ﮐﻪ ﺟﻤﺎدات ﻣﯽ ﺗﻮاﻧﻨﺪ ﻣﻮﺟﻮدﯾﺖ ﺧﻮﯾﺶ، ﺧﺎﻟﻖ و ﻋﻠّﺖ ﻣﻮﺟﺪ و ﺣﺘّﯽ ﺟﻬﺎن ﺑﯿﺮون از ﺧﻮﯾﺶ را ادراك ﮐﻨﻨﺪ و ﺑﺎ زﺑﺎن ﺣﺎل ﺧﻮد ﺧﺪاوﻧﺪ را ﺗﺴﺒﯿﺢ ﮔﻮﯾﻨﺪ. از ﺟﻤﻠﻪ ﻣﺘﻮن ﺑﺮﮔﺰﯾﺪه اي ﮐﻪ ﺷﺎﯾﺴﺘﮕﯽ ﺗﺤﻠﯿﻞ ﺳﺒﮏ ﺷﻨﺎﺳﯽ اﺷﻌﺎر ﭘﯿﺮاﻣﻮن ﻃﺒﯿﻌﺖ را دارد، ﻏﺰﻟﯿﺎت ﺳﻌﺪي ﺷﯿﺮازي اﺳﺖ. ﻧﺘﺎﯾﺞ اﯾﻦ ﺟﺴﺘﺎر ﻧﺸﺎن ﻣﯽ دﻫﺪ، در ﺳﻄﺢ آواﯾﯽ، ﺳﻌﺪي از ﻋﻨﺎﺻﺮ آواﯾﯽ ﻋﻼوه ﺑﺮ زﯾﺒﺎﯾﯽ و ﺟﺬب اذﻫﺎن ﻣﺨﺎﻃﺒﯿﻦ در ﮔﻮش دادن ﺑﻪ ﻣﻮﺳﯿﻘﯽ ﻗﺼﺎﺋﺪ، اﻣﮑﺎن اﺳﺘﻨﺒﺎط ﻣﻌﺎﻧﯽ و ﻣﻔﺎﻫﯿﻢ را ﺑﺮاي آﻧﻬﺎ ﻓﺮاﻫﻢ ﻣﯽ ﮐﻨﺪ. در ﺳﻄﺢ ﺗﺮﮐﯿﺒﯽ، ﮐﺎرﺑﺮد ﺗﺮﮐﯿﺐ ﻫﺎي ﻣﻨﺤﺼﺮﺑﻔﺮد ﻣﺮﺗﺒﻂ ﺑﺎ ﻃﺒﯿﻌﺖ، و ﭘﻮﯾﺎي اﻓﻌﺎل ﺗﺮﮐﯿﺒﯽ اﺑﯿﺎت ﺷﺎﻋﺮ را از ﻧﻈﺮ ﺷﮑﻞ داراي زﺑﺎﻧﯽ زﻧﺪه و اﻧﻌﻄﺎف ﭘﺬﯾﺮ ﺳﺎﺧﺘﻪ و ﯾﮑﻨﻮاﺧﺘﯽ و ﺟﻤﻮد را از آن زدوده اﺳﺖ؛ و ﻣﻌﻨﺎ ﻧﯿﺰ ﻫﻤﺴﺎن ﺑﺎ ﻓﺮم ﻧﻮﺷﺘﺎري، ﺑﺮﺟﺴﺘﻪ و ﺗﺄﺛﯿﺮ ﺷﮕﺮﻓﯽ ﺑﺮ ﻣﺨﺎﻃﺐ ﮔﺬاﺷﺘﻪ اﺳﺖ. در ﺳﻄﺢ ادﺑﯽ، ﺑﻬﺮه ﮔﯿﺮي از ﺷﮕﺮدﻫﺎي زﺑﺎﻧﯽ ﻫﻤﭽﻮن ﺗﺼﻮﯾﺮ اﺳﺘﻌﺎري، ﻧﻤﺎد، ﻣﻔﻬﻮم ﻃﺒﯿﻌﺖ ﺳﺒﺐ ﺧَﻠﻖ ﺗﻌﺎﺑﯿﺮ و ﺗﺼﺎوﯾﺮ ﺑﯽﻧﻈﯿﺮ و ﻣﻮﺟﺐ ﻣﺸﺎرﮐﺖ ﻣﺨﺎﻃﺐ در اﺛﺮ ﮔﺮدﯾﺪه و او را ﻃﺮف ﻓﻌﺎل ﻣﻌﺎدﻟﻪ ي ﻣﺘﻦ ﻗﺮار داده اﺳﺖ. ﻫﻤﭽﻨﯿﻦ اﯾﻦ زﻧﺪه اﻧﮕﺎري ﺑﯿﺸﺘﺮ در ﻣﻮﺿﻮﻋﺎت ﮔﯿﺎﻫﺎن و ﮐﻮه ﻫﺎ و اﺟﺮام آﺳﻤﺎﻧﯽ ﺑﺴﺎﻣﺪ داﺷﺘﻪ اﺳﺖ. ﻧﮕﺎرﻧﺪﮔﺎن اﯾﻦ ﻣﻘﺎﻟﻪ ﺑﺎ روش ﺗﻮﺻﯿﻔﯽ ﺗﺤﻠﯿﻠﯽ ﺑﻪ ﺑﺮرﺳﯽ ﺳﺒﮏ ﺷﻨﺎﺧﺘﯽ ﻣﻔﻬﻮم زﻧﺪهاﻧﮕﺎري در ﻏﺰﻟﯿﺎت ﺳﻌﺪي ﭘﺮداﺧﺘﻪاﻧﺪ.
چكيده لاتين :
Abstract
important critical approaches that, by studying the structure of the text and analyzing its elements, in three levels of aerial, method and rhetoric, the communication between these levels and the literary, aesthetic and emotional aspects of the text structure. Animation is from the perspective of the life of the mosque, and in this belief, the mosques understand their existence, the creator and the cause of the world outside themselves and praise God. Saadi's ghazliat has the ability to analyse the physiology of nature's poetry. The results of this set show that, at the Avi level, Saadi, aviary elements, besides
beauty and absorption of the mind, in listening to poetry music, it allows the audience to relate the concept. At a combined level, the application of unique compositions, nature, and dynamics of the combined functions of the abyss in terms of language, life, and unanimity, and the meaning is similar to the writing form, highlighted and significant impact on the audience. At a literary level, the use of linguistic illustrations such as the metaphorical image, symbol, concept of nature, the cause of the creation of expressions, images and participation of the audience has been placed on the active side of the text equation. Revival in words: May the wind, plants, mountains and heavenly crimes be greater. Writers, with an analytical way of describing the cognitive style of the concept of life in Saadi Ghazliat,
