زﯾﺒﺎﯾﯽ ﺷﻨﺎﺳﯽ ﻣﮑﺎﺷﻔﺎت ﻋﺮﻓﺎﻧﯽ در ﻋﺒﻬﺮاﻟﻌﺎﺷﻘﯿﻦ

Roozbehan Baqli Shirazi is known as "Sheikh Shatah

ﭼﮑﯿﺪه روزﺑﻬﺎن ﺑﻘﻠﯽ ﺷﯿﺮازي ﺑﻪ دﻟﯿﻞ ﭘﺮداﺧﺘﻦ ﺑﻪ ﺷﻄﺤﯿﺎت ﺻﻮﻓﯿﻪ ﺑﻪ »ﺷﯿﺦ ﺷﻄﺎح« ﻣﻌﺮوف اﺳﺖ. ﻃﺮﯾﻘﺖ وي ﺑﺎ ﻣﯿﺮاث ﻋﺮﻓﺎﻧﯽ ﺣﻼج ارﺗﺒﺎط دارد و از ﺳﻮﯾﯽ اداﻣﻪ دﻫﻨﺪة ﺳﻨﺖ ﻋﺮﻓﺎﻧﯽ ﻋﺎﺷﻘﺎﻧﻪ اي اﺳﺖ ﮐﻪ ﺑﺎ ﺳﻬﺮوردي و اﺑﻦ ﻋﺮﺑﯽ ﭘﯿﻮﻧﺪ ﯾﺎﻓﺘﻪ اﺳﺖ. اﯾﻦ ﮐﺘﺎب ﮐﻪ آﯾﯿﻨﮥ ﺗﻤﺎم ﻧﻤﺎي ﺳﻨﺖ ﻋﺸﻖ ورزي اﺳﺖ؛ ﭘﯿﺮاﻣﻮن ﻋﺸﻖ و اﻧﻮاع آن ﺑﻪ ﻧﮕﺎرش درآﻣﺪه و ﺳﺮﺷﺎر از ﺻﻮر ﺧﯿﺎل و ﺗﺼﻮﯾﺮ ﺳﺎزي ﻫﺎي ﺑﺪﯾﻌﯽ و ﺑﯿﺎﻧﯽ اﺳﺖ. در اﯾﻦ ﭘﮋوﻫﺶ، اﯾﻦ اﺛﺮ ﺑﺎ ﻫﺪف ﺷﻨﺎﺧﺖ ﻧﻮع زﺑﺎن ﻋﺮﻓﺎﻧﯽ روزﺑﻬﺎن در ﻣﮑﺎﺷﻔﺎت، از ﻧﻈﺮ زﯾﺒﺎﯾﯽ ﺷﻨﺎﺳﯽ ﺑﺮرﺳﯽ ﺷﺪه و ﻧﺘﯿﺠﻪ اﯾﻦ اﺳﺖ ﮐﻪ از ﻧﻈﺮ ﻣﻮﺳﯿﻘﯽ دروﻧﯽ ﻣﻬﻢ ﺗﺮﯾﻦ آراﯾﻪ ﻫﺎ ﮐﺎرﺑﺮد ﺳﺠﻊ و ﺟﻨﺎس و واج آراﯾﯽ اﺳﺖ و از ﻧﻈﺮ ﺑﯿﺎﻧﯽ، ﮐﺎرﺑﺮد ﺗﺸﺒﯿﻪ ﺑﻠﯿﻎ و اﺳﺘﻌﺎرة ﻣﮑﻨﯿﻪ ﺑﯿﺸﺘﺮﯾﻦ ﺑﺴﺎﻣﺪ را دارد. زﺑﺎن روزﺑﻬﺎن ﺑﻘﻠﯽ در اﯾﻦ ﮐﺘﺎب ﻣﺒﺘﻨﯽ ﺑﺮ ﺟﻤﻼت ﮐﻮﺗﺎه آﻫﻨﮕﯿﻦ ﺑﻮده و واژه ﻫﺎي ﮐﺎرﺑﺮدي وي ﮐﻪ در ﺧﺪﻣﺖ ﺑﯿﺎن اﺣﺴﺎﺳﺎت ﻋﺎﺷﻘﺎﻧﻪ و ﻋﺎرﻓﺎﻧﻪ ﻗﺮار دارد، ﺑﻪ ﺷﮑﻠﯽ ﺑﻪ ﻫﻢ ﭘﯿﻮﺳﺘﻪ ﺑﺎ ﻋﺸﻖ در ارﺗﺒﺎط اﺳﺖ و ﺗﻤﺎم ﻣﻔﺎﻫﯿﻢ ﺑﻪ ﮐﺎر رﻓﺘﻪ در آن ﺑﺎ ﻋﺸﻖ و ﺗﺒﻌﺎت آن در ارﺗﺒﺎط اﺳﺖ. ﺻﻮر ﺧﯿﺎل ﻧﯿﺰ ﺑﻪ ﻫﻤﯿﻦ ﻃﺮﯾﻖ در راﺑﻄﮥ ﻣﺴﺘﻘﯿﻢ ﯾﺎ ﻏﯿﺮ ﻣﺴﺘﻘﯿﻢ ﺑﺎ ﻋﺸﻖ و ﻋﺎﺷﻖ و ﻣﻌﺸﻮق اﺳﺖ.

Because of his coverage of Sufism. His way is related to Hallaj's mystical heritage and on the other hand it is a continuation of the romantic mystical tradition that is connected with Suhrawardi and Ibn Arabi. This book, which is a full-fledged mirror of the tradition of lovemaking, has been written about love and its types, and is full of imaginative images and novel and expressive illustrations. In this research, this book has been studied from the aesthetic point of view with the aim of recognizing the type of mystical language of Roozbehan in the revelations. an‎d the Meccan metaphor has the highest frequency. The language of Roozbehan Baqli in this book is based on short melodic sentences and his user words. Which serves to express romantic and mystical feelings, is interconnected with love and all the concepts used in it are related to love and its consequences. Imaginary images are also directly or indirectly related to There is love and lover and beloved.