فرآيش پيچيدگي سبك‌هاي شعر و معماري از سده‌هاي نخست تا آخر قرن ششم (مطاله‌ي موردي: تصوير شعري و معماري مسجد)

The process of complexity of architectural and poetic styles from the first centuries to the end of the sixth century (Case Study: Mosque Architecture and Poetic Image

ﭼﮑﯿﺪه ﺳﺒﮏ ﯾﻌﻨﯽ ﺗﻘﺮﯾﺮ دﯾﺪ وﯾﮋة ﻫﻨﺮﻣﻨﺪ ﺑﺎ زﺑﺎن وﯾﮋة ﺧﻮد او، و ﻟﺬا دﯾﺪ و زﺑﺎن ﻫﺮ ﻫﻨﺮﻣﻨﺪ ﯾﺎ ﻫﻨﺮﻣﻨﺪان ﯾﮏ دوره، ﻣﺘﻔﺎوت از دﯾﮕﺮ ﻫﻨﺮوران اﺳﺖ. ﺳﺒﮏﺷﻨﺎﺳﯽ ﺑﺎ ﻣﺆﻟّﻔﻪ ﻫﺎ و اﺑﺰارﻫﺎي ﻣﺨﺼﻮﺻﯽ ﮐﻪ در زﻣﺮة اﻣﮑﺎﻧﺎت اﯾﻦ داﻧﺶ اﺳﺖ ﺑﻪ ﻣﻘﺎﯾﺴﮥ ﺑﺮﺧﻮردﻫﺎي اﺑﺰاري ﻫﻨﺮﻣﻨﺪان در ﻣﻮاﺟﻬﻪ ﺑﺎ ﺗﺄﻣﻼت دروﻧﯽ و ﺑﯿﺮوﻧﯽﺷﺎن ﻣﯽﭘﺮدازد. اﯾﻦ ﻣﻄﺎﻟﻌﻪ، ﻧﺨﺴﺖ ﺑﻪ روش ﮐﻤﯽ ـ آﻣﺎري ﻣﯽﮐﻮﺷﺪ ﺗﺎ ﺑﺎ ﻧﻤﺎﯾﺶ، ﺗﺤﻠﯿﻞ و ﻣﻘﺎﯾﺴﮥ ﻋﻨﺎﺻﺮ ادﺑﯽ در ﺗﺼﻮﯾﺮﻫﺎي ﺷﻌﺮ ﺷﺎﻋﺮان ﺑﺮﺟﺴﺘﮥ ﺳﺒﮏ ﺧﺮاﺳﺎﻧﯽ و آذرﺑﺎﯾﺠﺎﻧﯽ ﮐﻪ ﺑﻪ ﺻﻮرت ﻏﯿﺮاﻧﺘﺨﺎﺑﯽ )رﻧﺪوﻣﯽ( از دﯾﻮانﺷﺎن اﻧﺘﺨﺎب ﺷﺪهاﺳﺖ، ﺗﺼﻮﯾﺮي آﻣﺎري از ﺳﯿﺮ ﭘﯿﭽﯿﺪﮔﯽ ﺗﺼﻮﯾﺮﻫﺎ )از ﺳﺒﮏ ﺧﺮاﺳﺎﻧﯽ ﺗﺎ آذرﺑﺎﯾﺠﺎﻧﯽ( ﺑﻪ دﺳﺖ دﻫﺪ. در ﺑﺨﺶ دوم اﯾﻦ ﭘﮋوﻫﺶ ﻧﯿﺰ ﮐﻪ ﺑﻪ روش ﺗﺤﻠﯿﻞ ـ ﺗﻮﺻﯿﻔﯽ و ﺑﺎ اﺳﺘﻔﺎده از اﺑﺰار ﮐﺘﺎﺑﺨﺎﻧﻪاي ﻧﻮﺷﺘﻪ ﺷﺪهاﺳﺖ، ﺑﻪ ﺑﺮرﺳﯽ ﺳﯿﺮ ﻣﻌﻤﺎري ﻣﺴﺠﺪ و ﭘﯿﭽﯿﺪهﺷﺪن اﺟﺰاي آن از ﺳﺒﮏ ﺧﺮاﺳﺎﻧﯽ ﺗﺎ ﭘﺎﯾﺎن ﻗﺮن ﺷﺸﻢ ﭘﺮداﺧﺘﻪ ﺧﻮاﻫﺪ ﺷﺪ. ﻧﺘﯿﺠﮥ اﯾﻦ ﺟﺴﺘﺎر ﻧﺸﺎن ﻣﯽدﻫﺪ ﮐﻪ »ﺳﺎدﮔﯽ و ﭘﺮﻫﯿﺰ از ﭘﯿﭽﯿﺪﮔﯽ« ﺑﺮﺟﺴﺘﻪﺗﺮﯾﻦ ﻣﺨﺘﺼﮥ ﺳﺒﮑﯽ در ﻫﺮ دو ﺣﻮزة ﺗﺼﻮﯾﺮ ﺷﻌﺮي و ﻣﻌﻤﺎري ﻣﺴﺎﺟﺪ در ﺳﺒﮏ ﺧﺮاﺳﺎﻧﯽ اﺳﺖ. در ﻗﺮن ﺷﺸﻢ ﺷﺎﻫﺪ ﺗﺤﻮﻻﺗﯽ ﺑﺰرگ و ﺷﮕﺮف در ﺳﺎﺣﺖ آﻓﺮﯾﻨﺶ ﺗﺼﻮﯾﺮﻫﺎ و ﻫﻨﺮ ﻣﻌﻤﺎري ﻫﺴﺘﯿﻢ. اﺟﺰا و ﻫﻨﺪﺳﮥ ﺗﺼﻮﯾﺮﻫﺎي ﺷﻌﺮي و ﻣﺨﺘﺼﺎت ﻣﻌﻤﺎري ﻣﺴﺎﺟﺪ اﯾﻦ ﻗﺮن ﭘﯿﭽﯿﺪهﺗﺮ ﻣﯽﺷﻮﻧﺪ و دﯾﮕﺮ ﺑﺎ ﺳﺎدﮔﯽ ﺳﺒﮏ ﺧﺮاﺳﺎﻧﯽ ﻗﺎﺑﻞ ﻗﯿﺎس ﻧﯿﺴﺘﺘﺪ.

Style means the expression of a particular vision of an artist in his own language, and therefore the vision and language of each artist or artists of a period is different from other artists. Stylistics compares the instrumental attitudes of artists in the face of their internal and external reflections with special components and tools that are among the possibilities of this knowledge. This study, first of all, tries to use quantitative-statistical methods to show, analyze and compare literary elements in the poems of prominent Khorasani and Azerbaijani poets who have been randomly selected from their madness. Get a statistical picture of the complexity of the images (from Khorasani to Azerbaijani style). In the second part of this research, which is written by descriptive-analytical method and using library tools, the architectural course of the mosque and the complexity of its components from Khorasani style to the end of the sixth century will be examined. The result of this study shows that "simplicity and avoidance of complexity" is the most prominent style feature in both the poetic image and the architecture of mosques in the Khorasani style. In the sixth century, we are witnessing great and wonderful developments in the field of creating images and the art of architecture. The components and geometry of the poetic images and the architectural coordinates of the mosques of this century are becoming more complex and can no longer be compared with the simplicity of the Khorasani style .