ﺑﺮرﺳﯽ ﻣﻮﺳﯿﻘﯽ ﺑﯿﺮوﻧﯽ وﮐﻨﺎري ﺷﻌﺮ ﻣﺠﯿﺮاﻟﺪﯾﻦ ﺑﯿﻠﻘﺎﻧﯽ

A study of Mujir aldin Bilghani's (external and lateral) poetry music

ﭼﮑﯿﺪه ﻧﻈﺎمﻣﻨﺪي ﻣﻮﺳﯿﻘﯿﺎﯾﯽ ﮐﻼم، ﯾﮑﯽ از ﺟﻨﺒﻪ ﻫﺎي ﻫﻨﺮي آن اﺳﺖ. ﺷﺎﻋﺮان ﻣﮑﺘﺐ اران ﺑﺎ آﮔﺎﻫﯽ از ﻇﺮﻓﯿﺖ ﻣﻮﺳﯿﻘﯿﺎﯾﯽ زﺑﺎن، از آن ﺑﻪ ﺑﻬﺘﺮﯾﻦ ﻧﺤﻮ در ﻏﻨﺎي آﺛﺎر ادﺑﯽ ﺧﻮﯾﺶ ﺑﻬﺮه ﻣﯽﺑﺮدﻧﺪ. ﻣﺠﯿﺮاﻟﺪﯾﻦ ﺑﯿﻠﻘﺎﻧﯽ ﻧﯿﺰ ﮐﻪ از ﺷﺎﻋﺮان اﯾﻦ ﻣﮑﺘﺐ ﺑﻮد ﺑﺮ ﺟﻨﺒﻪﻫﺎي ﻣﻮﺳﯿﻘﯽ ﮐﻼم، واﻗﻒ و ﻫﻨﺮﻣﻨﺪاﻧﻪ از اﯾﻦ اﻣﺮ در ﭘﺮﺑﺎري اﺷﻌﺎرش اﺳﺘﻔﺎده ﻣﯽﮐﺮد. در اﯾﻦ ﻣﻘﺎﻟﻪ، ﺟﻨﺒﻪﻫﺎي ﻣﻮﺳﯿﻘﯿﺎﯾﯽ دﯾﻮان ﻣﺠﯿﺮ ﻣﻮرد ﺑﺮرﺳﯽ ﻗﺮار ﻣﯽﮔﯿﺮد. ﺗﻨﻮع اوزان و ﺑﺤﻮر ﻣﻮرد اﺳﺘﻔﺎده ﻣﺠﯿﺮ، ﮔﺬﺷﺘﻪ از ﺗﻮاﻧﺎﯾﯽ و ﺗﺴﻠّﻂ وي ﺑﺮ ﻓﻨﻮن ادب ﭘﺎرﺳﯽ، ﻧﺸﺎن از ﻏﻨﺎي ﻣﻮﺳﯿﻘﯽ ﺑﯿﺮوﻧﯽ دﯾﻮان اوﺳﺖ. وي ﺑﯿﺸﺘﺮ اﺷﻌﺎرش را در وزن )ﻣﻔﻌﻮل ﻓﺎﻋﻼت ﻣﻔﺎﻋﯿﻞ ﻓﺎﻋﻠﻦ( ﺳﺮوده و از دوازده ﺑﺤﺮ ﻣﻮرد اﺳﺘﻔﺎده ﻣﺠﯿﺮ، ﺑﺤﺮ رﻣﻞ ﺑﯿﺸﺘﺮﯾﻦ ﻓﺮاواﻧﯽ را دارد. ﺑﻬﺮهﮔﯿﺮي ﻣﺠﯿﺮ از ﺳﺎﺧﺖ ﻫﺎي ﻣﺨﺘﻠﻒ ﻗﺎﻓﯿﻪ و ﺗﻤﺎﯾﻞ او ﺑﻪ ﺳﺮودن اﺷﻌﺎر ﻣﺮدف ﺑﺎ ردﯾﻒﻫﺎي ﻃﻮﻻﻧﯽ و ﻣﺘﻨﻮع ﺑﺮ ﻏﻨﺎي ﻣﻮﺳﯿﻘﯽ ﮐﻨﺎري دﯾﻮاﻧﺶ اﻓﺰوده اﺳﺖ.

One of the artistic aspects of the language is its musical systematization. The poets of Aran school were aware of the musical capacity of the language and used it for enriching their literary works. Mujir alDin Bilqani, one of the poets of this school, was also aware of the aspects of the language’s music and used it artistically for enriching his poems. In this article, the musical aspects of Mujir’s Divan (poetical works) are studied. The variety of meters and rhythms of Mujir’s poems, in addition to his ability and mastery of Persian literary techniques, shows the richness of the external music of his poems. He composed most of his poems in “Mafoulon, Faelaton, Mafaeilon, Faelan” meter and among the twelve meters and rhythms that he has used, the “Ramal” meter is the most frequently used. Mujir has used different kinds of versifications and his desire to compose different poems with long and varied “Radif”s has also increased the richness of his lateral music.