ﺟﺎدوي ﻣﺠﺎورت در ﻏﺰﻟﯿﺎت ﺳﻌﺪي

The magic of proximity in Saadi's lyric poems

ﭼﮑﯿﺪه ﺟﺎدوي ﻣﺠﺎورت ﺑﻪ ﻋﻨﻮان ﯾﮑﯽ ازﻣﺆﻟّﻔﻪ ﻫﺎي ﻓﺮﻣﺎﻟﯿﺴﻢ ﻧﻘﺶ ﺑﺮﺟﺴﺘﻪ اي در ﺑﯿﺎن ﻫﻨﺮي ﮐﻼم دارد. در واﻗﻊ اﯾﻦ ﻣﺒﺤﺚ ﺑﻪ ﺗﻮازن ﺣﺎﮐﻢ ﺑﺮ واج ﻫﺎ وﮐﻠﻤﺎت ﻣﯽ ﭘﺮدازد و از اﯾﻦ ﻣﻨﻈﺮ ﻣﯽ ﺗﻮان ﺑﻪ ﻋﻨﺎﺻﺮ ﺑﻼﻏﯽ زﯾﺎدي ﻣﺎﻧﻨﺪ ﺗﮑﺮار، واج آراﯾﯽ، اﻧﻮاع ﺟﻨﺎس، ﺳﺠﻊ، ﺗﺮﺻﯿﻊ و ﻣﻮازﻧﻪ و ﺻﻨﺎﯾﻊ دﯾﮕﺮ اﺷﺎره ﮐﺮد. ﻫﻢ ﻧﺸﯿﻨﯽ آواﯾﯽ از اﯾﻦ ﻣﻨﻈﺮ اﯾﺠﺎد ﻣﻮﺳﯿﻘﯽ ﻣﯽ ﮐﻨﺪ، ﻣﺨﺎﻃﺐ را ﻣﺴﺤﻮر ﻧﻤﻮده و اﻟﻘﺎي ﻣﻌﻨﯽ ﻣﯽ ﮐﻨﺪ. ﺑﻪ اﯾﻦ ﻃﺮﯾﻖ ﺑﺮ ﻟﺬّت ﻣﺨﺎﻃﺐ ﻣﯽ اﻓﺰاﯾﺪ ﺑﻪ ﮔﻮﻧﻪ اي ﮐﻪ ﮔﺎه واژﮔﺎﻧﯽ ﮐﻪ از ﺟﻬﺖ ﻣﻌﻨﺎ ﭼﻨﺪان راﺑﻄﻪ اي ﺑﺎ ﯾﮑﺪﯾﮕﺮ ﻧﺪارﻧﺪ و ﺗﺸﺎﺑﻪ آﻧﻬﺎ ﺗﻨﻬﺎ ﺑﻪ ﺟﻬﺖ آواﯾﯽ اﺳﺖ ﻣﻮرد ﭘﺬﯾﺮش ﻗﺮار ﻣﯽ ﮔﯿﺮﻧﺪ و ذﻫﻦ ﺑﺮاي آﻧﻬﺎ در ﭘﯽ ﮐﺸﻒ ﻣﻌﻨﯽ ﻣﯽ اﻓﺘﺪ و ﺷﺎﻋﺮ ﯾﺎ ﻧﻮﯾﺴﻨﺪه ﻫﻨﺮﻣﻨﺪ ﺑﺎ اﺳﺘﻔﺎده از اﯾﻦ ﺷﮕﺮد، در اﻟﻘﺎي اﻫﺪاف و ﻣﻌﺎﻧﯽ ﻣﻮرد ﻧﻈﺮ ﺧﻮد ﻣﻮﻓﻖ ﺗﺮ ﺧﻮاﻫﺪ ﺑﻮد. در اﯾﻦ ﻣﻘﺎﻟﻪ ﺑﺎ اﺳﺘﻔﺎده از روش ﺗﻮﺻﯿﻔﯽ و ﺑﺎ اراﺋﮥ ﻧﻤﻮﻧﻪ ﻫﺎﯾﯽ ﺑﻪ ﺑﺮرﺳﯽ ﺟﻠﻮه ﻫﺎي ﺟﺎدوي ﻣﺠﺎورت در ﻏﺰﻟﯿﺎت ﺳﻌﺪي ﭘﺮداﺧﺘﯿﻢ. ﻣﯽ ﺗﻮان ﮔﻔﺖ ﺟﻠﻮه ﻫﺎي ﺟﺎدوي ﻣﺠﺎورت در ﻏﺰﻟﯿﺎت ﺳﻌﺪي ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﺗﻘﺴﯿﻢ ﺑﻨﺪي ﮐﻮرش ﺻﻔﻮي از اﻧﻮاع ﺗﻮازن، ﺑﯿﺸﺘﺮ در زﯾﺮﻣﺠﻤﻮﻋﻪ ﺗﻮازن آواﯾﯽ ﻗﺎﺑﻞ ذﮐﺮ اﺳﺖ و ﺳﻌﺪي از اﯾﻦ ﻃﺮﯾﻖ ﺑﺮﺗﺄﺛﯿﺮ ﮔﺬاري ﮐﻼم ﺧﻮد اﻓﺰوده اﺳﺖ.

The magic of proximity as one of the components of formalism plays a prominent role in the artistic expression of speech. In fact, this topic deals with the balance between phonemes and words. an‎d from this perspective, we can mention many rhetorical elements such as repetition, phonology, types of puns, prostration, arrangement and balance, and other industries. Phonetic accompaniment creates music from this perspective, enchants the audience and induces meaning. In this way, it adds to the audience In such a way that sometimes words that are not related to each other in terms of meaning and their similarity is only in terms of phonetics are accepted ' .s pleasure . an‎d the mind seeks to discover meaning for them, and the poet or writer artist will be more successful in inducing his desired goals and meanings by using this technique. In this article, using descriptive method and providing examples, we examined the magical effects of proximity in Saadi's lyric poems. It can be said that the magical effects of proximity in Saadi's sonnets, according to the division of kourosh safavi from the types of balance, can be mentioned more in the subset of phonetic balance, and through this, Saadi has increased the influence of his words .