كليدواژه :
موسيقي , اركان عروضي , شعر معاصر , مهدي اخوان ثالث
چكيده لاتين :
Music is one of the important foundations of poems, which makes the poet’s words so pleasant. The relationship between poem and music is so undeniable that all men of culture, literature and music believe in it. Due to this fact, poets and researchers count on music as one of the important elements of poetry and the most prominent factor in separating poetry from prose. However, the application of conflicting music with its content, has given a special characteristic to Akhavan’s poetry because M. Omid has not survived the political, social and economic factors of interregnum period after 1332 coup d’e’tat. The effect of these elements on music and other poetic elements of Akhavan, immerses his poetry in a nostalgic and existentialistic atmosphere. Although the form of Akhavan’s poetry is Nimayi, he has improved Nimayi poetic rhythms. Prosodic rhythms, applied in Akhavan’s poems, whether with difference in the sentence order or alternation in it, create a pleasant poem. Paradox caused by companion of rhyme music and spiritual music, will highlight the despair in socio-political life of the poet. The usage of musical capacities of Persian language, combination, syntagmatic and paradigmatic features of words, the repetition of consonants and vowels along with Nimayi prosodic rhythms and benefiting from the musical influence of internal , side and external ending rhyme cause a paradox between the text and content.
