پديد آورندگان :
غفاري، ليلا دانشگاه هنر - دانشكده علوم نظري و مطالعات عالي هنر - گروه تاريخ تطبيقي و تحليلي هنر اسلامي، تهران، ايران , مازيار، امير دانشگاه هنر - دانشكده علوم نظري و مطالعات عالي هنر - گروه فلسفه هنر، تهران، ايران
كليدواژه :
اعتمادالسلطنه , تاريخ نگاري هنر , تاريخ هنر ايران , عصر ناصري , ناصرالدين شاه
چكيده فارسي :
دوران قاجار بالاخص عصر ناصري، سرآغاز شكل گيري تاريخ نگاري نوين ايران و مقارن با پيدايش مفهوم هنرهاي زيبا در غرب است. محمدحسن اعتمادالسلطنه از مورخان برجسته ي اين ايام بوده كه به واسطه ي برخورداري از رويكردي نوين در تاريخ نگاري و علاقمندي به تحقيق و تفحص در آثار تاريخي و ابنيه، تاليفاتش در زمينه ي تاريخ هنرهاي ايران حائز اهميت هستند. در پژوهش حاضر، با راهبردي كيفي در چهارچوب مطالعات تاريخي و به شيوه ي تفسيري-تاريخي به بررسي مكتوبات او شامل تاريخ منتظم ناصري، المآثر و الآثار، مرآه البلدان و روزنامه ي خاطرات اعتمادالسلطنه پرداخته ايم. سوال اصلي پژوهش اين است كه آگاهي تاريخي از هنر در مكتوبات اعتمادالسلطنه چگونه است؟ و مصاديق اين آگاهي كدامند؟ مرور آثار مذكور حاكي از وجود اطلاعاتي قابل تامل در رابطه با تاريخ هنر ايران اعم از بناها، آثار باستاني و هنري است كه مي تواند نويدبخش پيدايش روندي تازه در تاريخ نگاري هنر ايران در امتداد تحولات تاريخ هنر غرب و خصوصا فرانسه ي آن دوران باشد. آگاهي تاريخي اعتمادالسلطنه در مقام خاستگاه ظهور اين اطلاعات، ذيل عناوين آشنايي با مطالعات غربي در باب تاريخ هنر، و شيوه هاي تاريخ نگاري هنر نزد او دسته بندي شده است. شيوه هاي تاريخ نگاري اعتمادالسلطنه نيز در توجه به هنرمندان، سكه شناسي و باستان شناسي، و اشاره به متون مرتبط با هنرها تجلي يافته اند.
چكيده لاتين :
The Qajar age, and especially the Naseri era, has been the
beginning and the origin of the formation of the Modern
Persian Historiography and has been coincided with the
emergence of the concept of the Fine Arts in the Western
World. Moḥammad Ḥasan Khan Moghadam Maragheie
who has been nicknamed to Etemad al Salṭaneh and also
Sanee o’ doleh by Naser al-Din Shah Qajar, has been one
of the prominent and famous historians and writers of those
days. It would be obvious that due to his new approach to the
Historiography, writing the History and also his interest in
researching about historical monuments, ancient buildings
and antiques, his writings and books are so important in the
field of Persian History of Art and Persian Historiography of
Art. Through Moḥammad Ḥasan Khan Etemad al Salṭaneh’
s academic studies in the field of History and Geography
in France of that days, he became acquainted with the new
research methods in the studies of the History and Geography.
Therefore, he could use these new and modern methods
in compiling his Historical, Geographical and Literary
writings and books. In this essay, with a qualitative strategy
in the historical studies framework and in an interpretive
historical manner, we have tried to study and investigate
his writings, including such as the book Montazam Naseri
History, Maaser v’ al asar, Merat al boldan and Ruzname
Khaterat Etemad al Salṭane (Etemad al Salṭaneh’s Diary
book). The main question of the research has been proposed
in this way: How is the historical consciousness of art in
the above-mentioned writings of Moḥammad Ḥasan Khan
Etemad al Salṭaneh? and what are the examples of this
historical consciousness of art? The study and analysis of
references and descriptions related to the Persian Art in
the above-mentioned texts have shown the scattering and
hidden signs indicating the historical consciousness of
Moḥammad Ḥasan Khan Etemad al Salṭaneh about the
art and also the lack of boundaries between the History,
Geography and Art fields in these writings. Also the review
of the book Montazam Naseri History, Maaser v’ al asar,
Merat al boldan and Ruzname Khaterat Etemad al Salṭane
(Etemad al Salṭaneh’s Diary book) indicates that there are
some considerable information about the Persian History of
Art, including ancient buildings, antiquities and works of
arts, which can promise the emergence of a new trend in
historiography of Persian Art along the evolution of Western
History of Art, especially French History of Art in that time.
The historical consciousness of art for Moḥammad Ḥasan
Khan Etemad al Salṭaneh, as the origin of the emergence
of this information, is classified under the title of familiarity
with Western studies on the History of Art, and the methods
of Historiography of Art for him. The historiography
methods of this famous historian and writer of the Naseri
era and Qajar age are also manifested in the paying attention
to the artists, the Numismatics and Archeology fields, and in
reference to the texts and books related to the arts.
