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A Single Sonnet in Two Divans

One of the most important branches of practical criticism is textual criticism that deals with textual authenticity. This article highlights a single sonnet in both Shams-e Tabriziʹs Complete Works and Khaghaniʹs Divan. The author first rejects attributing this sonnet to Moulavi as a manuscription fallacy and then goes on to make use of this so-called sonnet to compare and edit a certain word in Khaghani.