از جمال شناسي تا زيبايي شناسي

From Beauty Analysis to Asthetic

This article is intended to clairfy the differences between beauty analysis and to offer framework for art to be situated in its real position. The time in which men were engaged spiritually, they used the word beauty instead of aesthetics. The elements of this beauty, including visual or audio, dynamic or static, not only motivated feelings but were also, highly truthful and resulted spiritual relaxation, originated from their reality. At that era, religion, art and beauty were integrated. Art didnʹt on ginated from artisitic affairs was not a specific individual. And to enjoy the works of art wasʹnt based on asthetical principals. Art was considered to be the disciorery of reality from the unidtified world and that is why it belonged to the poiesis domain. At that time art was a way of theophany representatulion, and what the artists and craftsmen did, which made the hidden appear, was also beautiful. The introduction of the trem aesthetiec in to the worldʹs art field by Baumgarten of Germany directing it to the precipice of senses, Focusing the human feeling inrestigation toward beautiful entities due to belonging to human feeling cut off art and beauty from truth and Knowlelge.