سه نگاه به مرگ در ادبيات فارسي

Three Views on Death in Persian Literature

Death is the greatest incident in any personʹs life and has constantly occupies manʹs mind. In the written literary texts of Iran- both religious and non-religious; before and after Islam- most of the investigations and explorations and the concern of writers, poets and scholars was on finding a way for escaping death or overcoming the terror derived from it. The first literary prose and poetic works seriously concerned about this topic are from the mid third century after Islam; where we can notice and sec such historical concern. That is of course if we chose to dismiss the ancient Iranian literature and the initial myths and epics belonging to that period. With a brief overlook, the attempts of the Iranian Post-Islam poets and writers for overcoming death or reducing its concern and obsessions can bc limited to three major ideas; first, those who have admired it and welcomed it warmly. Rumi is the greatest representative of this group. Second, those who have regarded death with hatred and for overcoming it have sought to overcome it by ʹhaving tim in the momentʹ (Carpe Diem) intending to reduce the terror and fright of death. Khayam is the pioneer and complete representative of this group. The third group is composed of those who have had a realistic attitude towards death; they have viewed life and death as two sides of a coin, tried to utilize the blessings of this world and pay service to mankind; while at the same time have provided their required supply for this life and afterlife. These have neither sacrificed life for death nor have sacrificed death for life. Saʹadi is the greatest representative of this group.