چكيده لاتين :
The high status of Saʹdi, without any doubt, has excelled all other poets of Persian language in the minds and tongues of the common men in the extensive area of Sindh in particular and in the Subcontinent in general. This
status has prevailed throughout the centuries. If the published works and
numerous handwritten manuscripts of Saʹdiʹs works available in these areas
are collected and investigated into and explained , it will be clear that the
Saʹdi /s masterpieces have not only been studied by students and religious
scholars throughout years as prescribed as textbooks at various levels of
teaching and learning in educational systems, but have been studied by various
levels of common population. His enchanting lyrics enable mankind to laugh
at the worst of human follies, faults and errors in a very effective style. he
presents in a vary light and level style the themes of eternal and higher
relationship between wisdom (intellect) and thought (imagination) and perfect
and practical moral values in a rational and pragmatic style. the themes of
extremely high spiritual value, beautiful and attractive, suitable, and balanced
as he offers to the reader, have been considered worthy of investigation and
comprehension. It has not been the students and scholars at the religious
institutions and universities only who have benefited from his works of
wisdom as presented in syllabi , but political leaders, philosophers, and
thinkers have also benefited from his works. they have been highly fascinated
and attracted to his works as well. what follows is a brief and thoughtful view
of Sadiʹs works as they have been used in the entire area of Sindh and other
regions of the Islamic world and the Subcontinent. This essay is a humble
contribution to the great works of Saʹdl that is common to our cultural
heritage and these lands.
It is therefore essential for those who wish to contribute to the thought
and cultural heritage of these two neighboring countries to further explore the
common poetic and intellectual heritage of our two lands. This paper is devoted to a painter of the second generation of the SafavidsMtr
Sayyid ʹAll JudaʹI- Mlr Musawarʹs son- and a follower of Bihzad. Mir ʹAn
Sayyid Judaʹi had been tought by his father and Aqa Mirak and expanded
Iranian painting beyond the bounderies of India, therefore he is known as one
of the founders of Iran and Indian school of painting.
