بررسي ساختار موسيقايي شعر سپيد عربي

A survey on musical structure of Arabic blank verse

پيدايش شعر سپيد در عصر حاضر نقطه عطفي در تاريخ زبان و ادبيات عربي بشمار مي-رود. با تولد اين پديده نوين شعري مفهوم كلي شعر و به ويژه موسيقي شعري دگرگون شد. بدين ترتيب در راستاي فرآيند مذكور ساختار موسيقايي شعر معاصر عربي از بافت سنتي و كهن خود خارج شد و معماري كاملاً متفاوتي پيدا كرد. معماري مذكور كه در شكل گيري آن علاوه بر شاخص هاي كمّي، شاخص هاي كيفي نيز به كار گرفته شده بود، بيشتر در فضاي دروني شعر تحقق مي يافت. امري كه به نوبه خود كاركرد موسيقايي شعر معاصر عربي را نيز تحت الشعاع خود قرار داد. از اين رو موسيقي شعري نه تنها يك پديده صرف-آوايي (phonetical henomenon) بلكه يك عنصر فراگير و همه جانبه اي بود كه در سايه آن روابط گفتماني و ديالكتيكي (Discursive & Dialectical relations) بين كنش هاي فكري و عاطفي و ساختهاي زباني متن شعري ايجاد شده بود. امري كه در نهايت گواهي بر غنا و ژرفاي موسيقايي در شعر سپيد بود.

At present, arising of blank verse is assumed as a turning point in Arabic language and literature. By birth of poetic modern phenomenon, verse total meaning and especially its poetic music were transformed. As a result, in the course of the given process, musical structure of contemporary Arabic verse exited from its traditional and ancient texture and reached to a completely different architecture. The aforesaid architecture, in which qualitative parameters have been adopted in its formation rather than quantitative ones, has been realized in verse internal space. This was, in turn, overshadowed musical performance of Arabic contemporary verse as well. Hence, musical verse was deemed not only as a Phonetic Phenomenon, but a broad- based and comprehensive element under its light the Discursive and Dialectical Relations have been established among intellectual, emotional actions and lingual structures in poetical text; the fact that was an evident for musical richness and depth in Blank Verse.