تصوير زن در رمان هاي عامه پسند ايراني

Image of women in popular Iranian novels

مقاله تحقيقي حاضر به بررسي تصوير ترسيم شده از زن در بيست ويك رمان ((عامه پسند)) وپرفروش دهه اخير مي پردازد . عمده خوانندگان ونويسندگان وشخصيت هاي اصلي اين آثار از ميان زنان برخواسته اند .تضادها وفضاهاي داستاني اين آثار نيز عمدتاً دروني مي باشد ودر محيط خانه اتفاق مي افتد . مقاله در چارچوب روش هاي كيفي تحليل محتوا قرار دارد كه ازمفاهيم وشاخص هاي مرسوم در مطالعات گفتماني وجامع شناختي – فمنيستي بهره مي جويد . چار چوب نظري چند حوزه اي تحقيق نيز با توجه به مفاهيمي چون مخاطب تلويحي يا فرضي ،مخاطب واقعي ،جايگاه مخاطب در متن ورابطه ((معناي غالب بر متن ))با ((شيوه خطاب متن ))توضيح داده شده است. مقاله چنين نتيجه مي گيرد كه واگذاري نقش اصلي به زنان به معناي مقابله با برداشت هاي غالب از نقش زن در جامعه وخانواده نمي باشد . بلكه عمده آثار مورد بررسي منعكس كننده همين نقش در زمينه اي از ارزش ها وهنجارهاي غالب فرهنگي مي باشند. رمان هاي عامه پسند ايراني شايد به دليل نيازها وخواسته هاي خوانندگان خود وشايد به مثابه بخشي از ابزارهاي تعليم وتربيت تجتماعي ،گفتماني مردسالارانه را در چهار چوبي زنانه منعكس مي كنند.

This article is based on a study about the image of woman in 21 lra nian popular, best selling novels in the last decade. Most readers, writers and main characters of these novels were female. Narrative conflicts and tory spaces of these novels also mostly were internal and happened within the boundaries of home. Article can be considered within the framework of qualitative content analysis, where concepts and operational definitions from a wide variety of disci plines rooted in discourse analysis and feminist sociolohʹY are used to carry out the analysis. The articles theoretical frame work can be considered a multidisciplinary one but the main theoretical concepts have been developed by the use of concepts as old as real reader, implied reader, readers positioning within the text and finally the relation between preferred meaning of the text and mode of address. The article concludes that allowing woman to have the main role in these novels can nol be interpreted as an opposition to the traditional role women play in family structure within a men dominated culture but rather it is exactly reflecting such a traditional role in the background of values dominated by traditional cultural norms. Maybe Iranian popular novels take the above textual stmlegies by taking into consideration needs and realities of their readers every day life within a male dominated social structure or maybe these novels are part of the informal education in socializing women to accept their predefined role within the (...ʹXisling social structural boudoirs.