شيوه ابداعي ملاصدرا درتبيين استدلالي تجرد قوه خيال

MullaSadra’s inventive manner toward argumentative description of abstraction of the Faculty of imagination

موضوع اصلي اين مقاله به بررسي قوه خيال وجايگاه آن در مراتب هستي انسان وتجرد آن ازنگاه ملاصدرا اختصاص دارد . شناخت نفس ومراتب آن به ويژه قوه خيال درسير انديشه ملاصدرا اهميت بنيادي دارد قوه خيال درواقع ، ازيك سو پيوند ميان جهان طبيعت وجهان ورا طبيعت بشمارمي آيد ، وازسوي ديگر ، آگاهي حسي واگاهي عقلي انسان رابه يكديگر مرتبط مي سازد .به سخن ديگر ، آگاهي خيالي ميان دوآگاهي حسي وعقلي قرارداد تاگسست اين دوآگاهي راجبران نمايد . افزون براين ، اثبات تجرد قوه خيال نقش بسيار مهمي درتبيين معاد جسماني درانديشه ملاصدرا دارد . دراين نوشتار تلاش شده است تااين مساله ، يعني تجرد قوه خيال كه جز نوآوريهاي ملاصدرا محسوب مي گردد تبيين شود .

The main subject-matter of this article deals with faculty of imagination and its feature in the human levels of being and its abstraction in the Sadra’s view. There is an essential feature concerning the self-cognition and its moments, especially faculty of imagination in the Sadra’s thoughts. Faculty of imagination indeed links the relation between the physical world and the metaphysical world, on the one hand, and the relation between sensitive consciousness and human rational consciousness, on the other hand. In other words, there is the imaginative consciousness between two kinds of consciousness, which is the sensitive and rational in order to fill up the gap which is between them. Above more, one could say to prove the imaginative consciousness has very important role in order to describe the Bodily resurrection in Sadra’s thoughts. The article tries to describe the issue of abstraction of the imaginative consciousness as one of the innovations in Sadra’s thoughts.