آشنايي زدايي وزني در قصيده هاي ناصرخسرو

Rhythmic Defamiliarization in Naser Khosrowʹs Poetry

اين پژوهش كوششي است صورت گرايانه كه در آن دو هدف اصلي دنبال شده است؛ نخست پاسخ‌ دادن به اين پرسش كه ماهيت فرايند آشنايي زدايي چيست و آشنايي زدايي وزني چگونه روي مي دهد. دوم نشان‌دادن اينكه در شعر ناصرخسرو ويژگي عروضي‌اي هست كه مي توان آن را نمونه برجسته‌اي از آشنايي زدايي وزني به شمار آورد. به اين منظور هفت وزن نامانوس در ديوان وي يافته شد كه به دليل تفاوت ساختاري به دو دسته يك و شش‌تايي بخش شدند. شش وزن دسته دوم كه پرداختن بدان هدف اصلي اين جستار است در يك ويژگي عروضي مشترك‌اند و آن اينكه امتداد زنجيره هجايي آن‌ها با وزن‌هاي رايج و هم خانواده هريك متفاوت است. راز آشنايي زدايي وزني برخي قصيده‌هاي ناصرخسرو را بايد در همين ويژگي عروضي جست.

This article, first takes a formalist approach and attempts to achieve two goals: defining the term defamiliarization, its essence and function. Then, it illustrates one of the prosodic features of Naser khosrow’s poetry which could be considered as an appropriate example of rhythmic defamiliarization. For this purpose, seven meters from his Div?n, of which rare meters are usually called unpleasant/ unfamiliar, will be discussed; and, according to their different structures, they will be categorized into two groups: one incorporating six meters, and the other containing only one. The meters of the first group which are mainly analyzed in this study have different length from their current forms. When a poet such as Naser Khosrow employs these infrequent meters in his poetry, it sounds odd to most of Persian readers who are accustomed to the ordinary rhythms. This can be called rhythmic/ prosodic defamiliarization.