سيماي زن در ادبيات معاصر «نيلوفر كبود بوف كور»

Woman Portrait in Contemporary Iranian Literature

در ادبيات داستاني معاصر، صادق هدايت، كيي از چهر ههاي چند وجهي است. در آثار او، نگرش به زن و بازتاب اين عنصر زاياي خلقت، سبب شده، وي را زن ستيز قلمداد كنند؛ اما با تعمق در آثارش و با توجه به مسايل روانشناختي، تربيتي و اجتماعي شخصي تهاي داستا نهايش، شايد ديگر وي زن ستيز معرفي نشود. در اين مقاله، به بررسي جنب ههاي ناشناخته ي سيماي زن در آثار اين نويسنده پرداخته شده و نتيجه نشان داد كه، وي نه تنها زن ستيز نبوده، بلكه با شفقتي خاص به زنان ايراني م ينگريسته است.

In fictional literature, Sedegh Hedayat was one of the multidimensional characters. In his work, he has been considered as an anti-feminine person, because of his attitude toward women- as a reflective element of fertility. But by a little contemplation on his work, and the social, educational and psychological aspects of his character, one might find out that he was not an anti-feminine person. In the present study, the unknown aspects of women in Hedayat`s works was studied, and concluded that not only was not he an anti-feminine person but also he looked at women by a particular kindness.