تاثير تكنيكي كا ت اوت در طراحي شخصيت و حركت بخشي در انيميشن ايران

Effect of Cut-out Technique in Designing the Characters as well as Movement in Iranian Animations

چكيده شيوه كات اوت در زمينه توليد انيميشن، نام و روش شناخته شده اي در جهان است و مي توان آن را از نخستين تكن كيهايي برشمرد كه به دليل سهولت و سادگي در اجرا و نوع كاربرد آن، در بسياري از انيميشن هاي جهان و ايران مورد استفاده قرار گرفته است. به دليل تشابه زياد خصوصيات تكن كي كا تاوت با نگارگري ايراني چ هبسا بتوان نتيجه گرفت كه كا تاوت تنها تكن كيي است كه در مقايسه با ديگر تكن كيهاي انيميشن مي تواند فضاي ايراني را به خوبي در خود جاي دهد؛ و از طرفي نيز توانايي استفاده از بافت هاي صنايع دستي ايران- مانند گليم، پته دوزي، معرقك‌اري و جز اينها- در اين تكن كي، تطابق و سازگاري كا تاوت را با فرهنگ و هنر ايراني بار ديگر يادآور مي شود. هدف اصلي اين مقاله ب هواقع بررسي چگونگي تاثير تكن كي كا تاوت بر طراحي شخصيت در انيميشن هاي ايراني به لحاظ ساختاري و زيبايي شناسي است. همچنين اين تاثير در نوع حركت بخشي به لحاظ اجرا در زير دوربين و محيط نرم افزار در جهت يافتن دلايل اصلي گرايش هنرمندان ايراني در زمان حاضر به اين سبك از انيميشن مورد بررسي قرار مي گيرد. در اين تحقيق از منابعي چون كتاب ها و ساي تهاي لاتين و فارسي، پايان نامه هاي ارايه شده در اين زمينه و نيز انجام مصاحبه با افراد صاحب نام در اين تكن كي، استفاده شده است.

Abstract The cut-out technique is a well-known name in the animation world and can be said it is the first technique that has been used in the animations of the world (and Iran) because of the ease and simplicity of its implementation. High similarity of cut-out technique characteristics with the Persian traditional paintings may be concluded that the cut-out is the only technique that can be used for the atmosphere of Iranian animated features, as well as other techniques. However, the ability for applying the Iranian handicrafts textures such as Gelimbaafi, Pate’duzi, Moarragh , etc. In this technique mentions us the compatibility of this technique with Iranian culture and art. At the first glance, cut-out technique does not include the difficulties and complexities of work in comparison with common techniques of animation-making, but during its execution, it is absolutely necessary for the sensitivity and accuracy. Nowadays the mentioned technique is applied in the way of the Iranian animation-makers for saving the time, manpower and facilities required to be widely used. The main goal of this article is investigation about the effect of cut-out technique on the design of Iranian animation’s character (viewpoint: structural, beauty, etc.) and also will be studied the effects of this technique on the movement of characters under the camera and the software environment. In addition, it can be said that it is an essential tendency of Iranian artists that applied the cut-out technique in the Iranian animation-making. This article reviews the history of cut-out technique for answering the following questions: - How is the process of designing and movement of characters under camera and computer space in the cut-out technique animation? - What is the difference between movement of character under camera and computer space in the cut-out technique animation? - Why Iranian artists are now more inclined to use this technique? - Why nowadays the Iranian artist use more and more the traditional textures in this technique? - What are the common points of Iranian painting and cut-out technique? - Why the cut-out technique is the closest technique to the Iranian paintings in comparison with other techniques that will be considered? - What is the effect of computer on the Iran’s cut-out technique? This paper is based on descriptive and analytical method and the way of data collection and classification it has used by English and Persian related books, website, and submitted theses, also has done some interviews with the expert people in this field. Finally, in the conclusion of this article, the following items are proposed for improvement of applying cut-out technique in animation-making in Iran. - Enlisting the specialist surveillance teams in the animation production centers. - Appropriate using of this technique in animation productions. - Utilization of the skilled, creative, qualified and experts in using the executive software of the mentioned technique. - Applying the appropriate stories with necessary characteristics for making of cut-out technique. - Consultation with professionals in the film-making, especially ones with experiences in this technique