بررسي استحاله ي مكاني در نمايشنامه ي كانال كميل: رويكرد نشانه-معناشناختي

Evaluation of place transformation in the kanale komeil play: semiotic approach

چكيده هيچ گفتماني فاقد مكان نيست. مكان ها به طور مستقيم يا غيرمسقيم در شك لگيري گفتمان و توليد معنا نقش دارند. مكان صورت بيان و صورت محتوا را در تعامل با يكديگر قرار مي دهد. در بعضي موارد مكان به شكل كاملا فيزيكي و عيني در گفتمان ها تجلي مي يابد و درموارد ديگر، اين كاركرد عيني تضعيف شده است و جاي خود را به كاركرد انتزاعي مي دهد. مكان هاي عيني مكان هايي با ويژگي كنشي و مكان هاي انتزاعي مكان هايي با ويژگي تخيلي و استعلايي هستند. چگونه گفتمان ها م يتوانند به محل چالش مكاني و در نتيجه عبور از وضعيت كنشي به وضعيت استعلايي تبديل شوند؟ د رواقع، بي مرزي، گريز از عينيت محدو دگرا، تجرب هي پديداري، توسع هي وجه تخيلي و ... از جمله عواملي هستند كه كاركرد كنشي مكان را تضعيف م يكنند. هدف اصلي اين پژوهش، نشان دادن چگونگي استعلاي مكان و حركت به سوي فض اشدگي با تكيه بر نمايشنامه كانال كميل است. بي ترديد گفتمان نمايشنام هاي به دليل اينكه مي تواند به صحنه راه يابد و به اجرا در آيد نمون هي مناسبي براي بررسي شرايط استحاله ي مكاني و گذر به فرامكان است.

Abstract No discourse is lack of place. Place explicitly or implicitly impact on formation and production of meaning. Place interchange the form of discourse and content. In some cases place would be presented absolutely physically and objective in some other cases, these objective functions are weakened and change to abstract function. Objective places have interactive specification where transcendental places have imaginative ones. How do discourse can change to challenge place and there for change to reactive position? In fact, unboundary, running away from objective limitation, phenomenal experience, expanding imaginative aspect and etc. are such factors which weaken interactive functions of place. In this paper the attempt has been made to examine discourse pattern of place which plays an important role in production of meaning. Such as place–Network. Such a place is called inductive place. A Place which affects and creates an idea in the mind of actor. It is named because our place is separated at specific distances and in a defined distance, changes into two place Until eventually something transfer from one to the another That is due to the action, place acquires spatial trans feature This feature also can be generalized to a virtual places such as cyber places. Subject in virtual place has the potential to be present simultaneously in different geographic points. Another discourse patterns for place, is continuous place. This type of places are places that Contrary to a network places, nothing can separate them from each other. Another issue to be dealt with are vortical places with self-contained function This place is also a place breaker and astonishes the actor This Place appears in front of the actor and then collapses and eventually astonishes the actor. Finally in this paper transcendence of Place has been examined. In this kind of place presence and thought of the actor has not been stopped and continues beyond that and reaches transcendence. The main purpose of this research represents how transcendental of place and movement toward space relying on Canale komeil play. No doubt, the play discourses a suitable sample for surveying the changing place and passing by meta place, because it can enter to scene and to be dramatized.