پديد آورندگان :
شريف كاظمي، خديجه دانشگاه بوعلي سينا همدان , محمديان، فخرالدين دانشگاه مازندران بابلسر - دانشكده هنر , موسوي حاجي، رسول دانشگاه مازندران بابلسر - دانشكده هنر - گروه باستان شناسي
كليدواژه :
نقوش هندسي , سفال , نمادپردازي , دوران ميانه اسلامي
چكيده فارسي :
نقوش تزئيني، بخش جداي ناشدني از هنر ايراني است. نقوش سفالينه ها كه بسياري از آنها با نقش مايه هاي هندسي تزيين يافته اند. همواره بيانگر ديدگاه ها، مفاهيم نمادين و ارتباطات فرهنگي جوامع در زمان هاي گذشته بوده است. در هنر متعالي اسلامي، هندسه جايگاه والايي دارد، چرا كه اشكال آن مي توانست به صورت غيرمستقيم، تجلي گاه مفاهيم اسلامي باشد. در حقيقت اين فرايند، در پيوند معنادار و عميق ميان عرصه هاي مختلف هنري از جمله، هنر سفالگري و علم هندسه جلوه نمود. در پژوهش حاضر تلاش شده، عناصر بصري نقش مايه هاي هندسي در سفالينه هاي دوران مياني اسلامي، مورد بررسي و تحليل قرار گيرد. روش انجام اين پژوهش به شيوه توصيفي - تحليلي است. يافته اندوزي اطلاعات با استناد به منايع كتابخانه اي و با مطالعه نمونه سفالينه هاي مجموعه هاي هنري، صورت پذيرفته است. نتايج مطالعات حاكي از ان است كه نقوش هندسي به كار رفته بر روي سفالينه هاي اين مجموعه ها، بيانگر دقت در نظم هندسي و نمادپردازي در آنها بوده و طرح اين نقوش نيژ، با علوم رياضي و هندسه قابل ارزيابي است. اشكال و خطوط هندسي به كار رفته در اين نقوش در تركيب بندي بصري، به ويژه الگوهاي هندسي متقارن و تكرارشونده، از هماهنگي و نظم ويژه اي برخوردارند. همچنين به كارگيري رنگ در كنار نقوش هندسي، بافت متنوعي را بر سطح ظروف سفالي پديد آورده است.
چكيده لاتين :
T he decorative motifs inseparable part of Persian
art. The ware designs, many of which
have been decorated with geometric designs, these
has been always represent the opinions, concepts
of symbolic and cultural communication in the past.
Decorative art in Iran from the cultural ideas of the
mind of the artist and the artist's creative mind of
sometimes. In the early centuries of Islam, Iranian
artists, combining ideas and thoughts from the Islam
and historical periods, especially the Sassanid
period, in the process of artistic structure of their
valuable concepts achieved. Mathematics and geometry
by humans to discover relations between
phenomena and arrange to the surrounding environment,
has been created. The Using of geometry
and mathematics in a variety of applied arts, created
a method in which gave certain regularities to
the artistic composition. In Islamic art, the geometry
have a great value. Because their forms, could indirectly,
is a manifestation of Islamic concepts. The
use of geometric designs, one of the oldest methods
of decoration, ware industry. Geometric patterns,
based on the concepts and creations appear
regularly in the composition of geometric shapes.
Art pottery on display conceptual model, is great
share. Iranian pottery art in this period, because of
influence of religious beliefs, economic and social
aspects, in terms of form and function to achieve
significant changes. In the Islamic Middle Ages, the
art of ware was substantial growth and making pottery
with designs and different methods of growing
institution. Artists of this period, all the ware with the
cover. Here, geometric motifs to create separation
and division other as a coherent way, a significant
contribution. Geometric motifs. because motifs by
artists were exploited and they create decorations
main elements of geometric shapes and abstract
motifs were paid. Place drawing geometric designs
in the areas of ware were made visible from more
angles. Designs motifs of ware among of the mentioned
species, with simple geometric shapes such
as circles, squares, and triangles and straight lines
executed and the harmonious combination, repeated
and interlaced, portrayed on a regular basis.
In fact. this process caused deep and meaningful
links between different fields of art including art pottery
and geometry. In this study it has been tried,
visual elements geometric motifs of ware in medieval
Islamic, studied and analyzed. The method
of this research is descriptive- analytical methods.
The data collection using library resources and has
been done study of wares in art collections. The
results of studies indicate that used geometric patterns
on the ware collections, show using variety
and accuracy in geometric and symbolism in them,
and it also motifs and design, mathematics and
geometry to be assessed. Geometric shapes and
lines used in these designs, the visual composition,
particularly symmetrical and repetitive geometric
patterns, have special harmony and discipline. As
well as the use of colors with geometric designs,
varied texture is created on the surface of ware.
This study intends to express geometric designs on
pottery study describes the the visual aspects, address
identification of these motifs.
