كليدواژه :
تمايل به خودنمايي , خودِ ناشكفته , ذائقه‌هاي هژمونيك هنري , شكفتگي هنجاري هژمونيك
چكيده فارسي :
در اين پژوهش سعي شده است فهم زنان از انجام‌دادن فعاليت‌هاي هنري و اجتماعي از طريق اكتشاف ميان ذهنيت آن‌ها به‌دست آيد. براي اين هدف، فعاليت‌هاي هنري و اجتماعي زنان طبقة متوسط و متوسط رو به بالاي شهر مشهد مطالعه شد. با استفاده از رويكرد كيفي و روش نظرية زمينه‌اي و با استفاده از نمونه‌گيري نظري و هدفمند تعدادي از زنان شهر مشهد انتخاب شدند و مصاحبه‌هاي عميقي با آن‌ها به عمل آمد. اطلاعات گردآوري‌شده با استفاده از كدگذاري باز، محوري و گزينشي تحليل شدند. يافته‌ها شامل 13 مقولة اصلي و يك مقولة هسته با عنوان «شكفتگي هنجاري هژمونيك» است كه در قالب خط داستان، مدل پارادايمي و نظرية كوچك‌مقياس ارائه شدند. به‌طور‌كلي، نتايج تحقيق نشان داد كه زنان در مواجهه با ديگران خودشكوفا با خودِ ناشكفته‌شان روبه‌رو مي‌شوند. بنابراين، با توجه به مالكيت سرمايه‌اي ويژه‌اي كه دارند و همچنين تمايل به خودنمايي، در بستري چشم و همچشمانه و تحت‌تأثير ذائقه‌هاي هژمونيك هنري به فعاليت‌هاي هنري مي‌پردازند و دنياي اجتماعي و هنري خود را توليد و بازتوليد مي‌كنند.
چكيده لاتين :
The daily activities of women in Iranian community are considered as a context for social and cultural conflicts. In fact, passing four decades after the Islamic Revolution, women's activities, especially their artistic and social activities, are still in conflict between political and social groups and activists. Meanwhile, apart from these political conflicts, we attempted to get women's understanding of doing these daily artistic and social activities through the discovery of their interpenetration. To this end, the artistic and social activities of middle and upper middle class women were studied. Using a qualitative approach and grounded theory, a number of women in Mashhad City were selected through theoretical and purposive sampling and they were called for in-depth interviews. The process of theoretical sampling continued to saturation of data. The collected data were analyzed using open, axial and selective coding. The findings included 13 main categories and one core category entitled "hegemonic normative actualization". The findings were presented in a form of a storyline, a paradigm model, and a small-scale theory. In general, the results of the research indicated that women encounter their unrealized ego when faced with self-actualized person. Therefore, given special property they own, as well as their tendency to show off, in the context of keeping up with the joneses, and under the influence of hegemonic artistic tastes, women deal with artistic activities and produce and reproduce their social and artistic world.
