Keyword :
Charles Alkan , elided Ursatze , Schenker , Harald Krebs , non-concentric , monotonality , octave lines , background conglomerates , non-monotonality , progressive tonality , directional tonality , eccentric tonality , Quasi-Faust , Grande Sonate op. 33 no. 2 , interlocking structures , concentric tonaltiy , sonata form
