دور الحبكة السرديّة في تكوين الوحدة العضوية في الشعر الحرّ؛ بدر شاكر السيّاب ومهدي أخوان ثالث نموذجاً

The Function of Narrative Plot in Formation of Organic Unity in Free Poetry: A Case Study of Badr Shākir al-Sayyāb and Mehdi Akhavān Sāles

The beauty of the literary work, especially free poetry, is due to the cohesion of its different parts in form and content, so that it appears to the reader as a coherent construction of harmonious units from the beginning to the end. Organic unity is one of the most prominent issues raised after the emergence of free poetry of which the plot is the most important element. In this article, the authors examine the organic unity of narrative plot and its importance in forming organic cohesion and coherence of the constituents of poetry through the comparison between the pioneers of Arabic and Persian free poetry, Badr Shakir al-Sayyab and Mehdi Akhavān Sāles, from a comparative view point and reliance on the American school. They are also examine how each of these poets uses these elements. The findings of the research show that Akhavan is more successful in applying narrative plot, including rising and falling action (gereh goshāei and gereh afkani), in formation process of organic unity, because his poetry is in a clear linear process that is materialized this by using rising and falling action as well as logical systematic sequences of thoughts in which the richness of the Persian heritage in fictional language has been effective.