المفردات الحسية في اللغة العربية دراسة نسوية

Perception Words in Women's Language

The topic of women's language and feminist criticism in the narrative works is important. The researchers considered the specifications of the women's language such as the accurate vision of things and the use of short phrases for comprehension as well as the use of non-verbal signs embodied in their words and writing. The main focus is to investigate the specificity of the women's language and its distinctive signs as part of the search for the possibility of using this designation in women's language by discovering literary characteristics regarding perception words associated with the five senses: vision, hearing, taste, smelling, and touch. The method used is the descriptive-analytical method based on the comparison between the language of the novelists Ynahoyan Al-Hassan in the Diamond and Women (2014) and Azzam Fadi in the Sarmada (2011). This study relies on the cognitive lexical theory, as a theory that frames the systematic semantic widening of vocabulary. Text analysis is done at 3 levels: linguistic, syntactic, and methodical. This study is limited to the linguistic level of the use of sensory words and its role in the authors’ style based on cognitive lexical semantics which includes categorization, radial categorization, pictorial schema, and metaphor. Categorization is the human ability to recognize similarities and differences between objects and to place them in a class. Radialism means that different meanings of a polysemous word form a radial category, and the members of this radial category are organized according to the meaning of a heading. The conceptual metaphor is organized mapping from the source domain to the destination domain. Visual schemas are concepts arising from physical experiences. These schemas arise from sensory and perceptual experiences that are the results of interaction with our surroundings