Abstract :
Sa‘îd Paşa Who was born in Diyarbakır on 1832 and had received a good education. After he served in many official position, he had passed away in Mardin on 1891. Sa‘îd Paşa, Who had classical method divan, he wrote primariliy with regard to history in addition he wrote about to rehetoric, ethic and logic and like. Situated on his divan tahmîd title poem can be evaluated content aspect in tevhîd species our classical poetry. Tevhîd s is contain about both wide range of religious content structure and primarly existence of God, uniqy, sovereignty, noun and determinant. Sa‘îd Paşa’s tahmîd is same as with traditional form of tevhîd . But it is a bit different the aspect of content traditional tevhîd . This work contains 42 couplet, especially when of which is interpreted with as literally squad from areas, we are understanding Sa‘îd Paşa sruggle to prove whereby reason and logic how existence of God, unique, sovereignty. Said Pasa had written this content and stylistic on contrary to appear of strongly impact of positivist and materialist system of thought cause of provisions and rejection. His poetry similar to Şinasi’s Münâcât based on reason and logic about to work knowing and recognizing God. Because of Sa‘îd Paşa didn’t write poem neighter in demonstrate to apply the rationalist thinking rationally nor fulfill to suspicions in his inner world. Presumably he had writen for to reject ideas to adhere to monotheism which will aim to prove the existence of God through reason and logic and unity. When evaluated as form and content the Sa‘îd Paşa’s tahmîd that of whom is not separated from tradition. However whose to work contains new elements, owing to we may say that, this working is traditional and between new collection.
