Title :
Chinese symbols in POP fashion art
Author_Institution :
Sch. of Art & Design, Zhejiang Univ. of Sci. & Technol., Hangzhou, China
Abstract :
With the drive of consumer culture, mass media culture and pop culture, POP became the most influential international art trends last century. This thesis, based on author´s many years´ design and experience, starting from the characteristics of POP art, analyzes the innovative and practical significance in the field of contemporary fashion design, as well as in recent years the rise of the Chinese symbols in fashion design industry. It begins from the cases of fashion works, summarizes several design techniques and unscrambles the way the aesthetic characteristics of the Chinese symbols fusing into the fashion design under the influence of POP art. It merits reference for China´s new generation of designers to explore ways of parting from the western blindly imitation to realize not only to accept the fashion design values of modern Western, but also to create an innovative road of design concept with Chinese characteristics.
Keywords :
art; clothing; design; socio-economic effects; Chinese symbols; POP fashion art; aesthetic characteristics; consumer culture; contemporary fashion design; fashion design industry; mass media culture; pop culture; Art; Character generation; Clothing industry; Consumer products; Graphics; Painting; Photography; Printing; Resonance; Roads; Chinese symbols; Fashion Design; POP;
Conference_Titel :
Computer-Aided Industrial Design & Conceptual Design, 2009. CAID & CD 2009. IEEE 10th International Conference on
Conference_Location :
Wenzhou
Print_ISBN :
978-1-4244-5266-8
Electronic_ISBN :
978-1-4244-5268-2
DOI :
10.1109/CAIDCD.2009.5375352