كليدواژه :
ارسي , خانه هاي قاجاري تبريز , خانه هاي قاجاري اردبيل , نقش و رنگ در ارسي
چكيده فارسي :
دو شهر تبريز و اردبيل از جمله شهرهاي قاجاري محسوب مي شوند كه داراي خانه هاي متعددي با پنجره هاي ارسي هستند. تعدد آن ها در بناهاي قاجاري بر جاي مانده، بازگو كننده اهميت و جايگاه اين آرايه تزييني-كاربردي در دو شهر مذكور است. در اين راستا، هدف پژوهش حاضر نيز، شناسايي الگوي مشترك و متفاوت ارسي هاي دو شهر، با تكيه بر عناصر نقش و رنگ مي باشد. از اين رو، مي توان پرسيد كه با توجه به همجواري دو شهر مذكور، چه تشابهات يا تفاوت هاي از منظر ذكر شده، در ارسي هاي اين دو شهر، وجود دارد؟ همچنين در سير تاريخي دوره قاجار، ارسي هاي دو منطقه، چه تغييرات بصري را داشته اند؟ براي دستيابي به اين امر، سعي در بررسي و تطبيق نقش و رنگ ارسي ها (به عنوان مولفه هاي اصلي مورد بررسي) به علاوه تكنيك و تزيينات آنها (مولفه هاي فرعي) در دو شهر، با يكديگر شده است. در مسير پژوهش، تهيه مطالب، علاوه بر پيمايش هاي ميداني، مطالعات كتابخانه اي نيز بوده كه با روش توصيفي- تحليلي و تطبيقي مطالب تنظيم شده است. تحقيق حاضر نشان داد كه شاخص هاي نقش و رنگ در دوره مياني قاجار به نسبت دو دوره قبل و بعد از خود، در هر دو شهر از منظر فراواني و تنوع، داراي كيفيت مطلوب تر و بهتري مي باشد.
چكيده لاتين :
Orsi windows are one of the most important and main decorative components in Qajar historical buildings. Based on the surviving works, it can be said that they had a diverse and influential presence in Iranian Islamic architecture from the Safavid period to the early Pahlavi period, that is, before the widespread use of metal in construction. Due to this issue, as well as for climatic reasons, we are witnessing various indigenous architectural styles in the country. It is assumed that the orsi in each area, despite a single function, have different characteristics in design, role and dimensions. But what has made the writers focus on this is the differences in their decorations. That is, their differences can be studied in the form of (patterns, colors) and (technique, decoration). Based on this, the research questions can be asked in such a way that, what similarities or differences from the mentioned point of view, there are in the orsi of Ardabil and Tabriz? and that in the historical course of the Qajar period, what changes have the orsi of the two cities? For this purpose, an attempt has been made to study and match the patterns and colors (as the main components under study) along with the techniques and decorations (sub-components) of the orsi of these two cities. The purpose of this study, in addition to examining the trend of changes in the mentioned components in the orsi from the beginning to the end of the Qajar period, is to identify common and different patterns of orsi of historic houses in Ardabil and Tabriz. Therefore, it is possible to get more and better knowledge about this art-industry in the Qajar period. On the other hand, considering the issue of identity building in contemporary architecture, the need to review such works in order to use them in modern architecture seems necessary. In this research, in addition to field surveys, the preparation of materials has been a library study that has been organized by descriptive-analytical and comparative methods. The present study showed that the patterns and colors in the orsi of the middle Qajar period compared to the two periods before and after it, in both cities in terms of frequency and variety, have a more desirable and better quality.
