رابطه علوم انساني اجتماعي با گفتمان و الگوي اسلامي - ايراني پيشرفت

The Relationship of the Social and Human sciences with the Iranian-Islamic Discourse on and Model of Progress

هدف انقلاب اسلامي ايران براي رسيدن به تمدني متعالي، نيازمند بهره گيري از مدل پيشرفتي است كه در آن مولفه هاي دين، علم، فرهنگ و تمدن با يكديگر معاضدت داشته باشند. اين مقاله با روش تحقيق اسنادي و با استعانت از ديدگاه شهيد مطهري، تلاش مي كند تا مدلي از پيشرفت را متناسب با شرايط كنوني گفتمان انقلاب اسلامي استخراج كرده و مختصات آن را به اجمال معرفي نمايد. با تدقيق در مسيله پيشرفت در شهيد مطهري، گونه اي از مسيله گفتماني مشتمل بر دو بُعد شناختي و عملي هويدا مي شود كه به ترتيب مرتبط با قوت علم (به ويژه علوم انساني اجتماعي) و الگوهايي از خرده نظامات اجتماعي (يعني سياست، اقتصاد، تعليم و تربيت و خانواده) مي باشند. همچنين ترابط ميان علم و دين از يك سو و ميان فرهنگ سازي و دين از سوي ديگر، نقشي محوري در پيشرفت جامعه و شكل گيري تمدن اسلامي دارد.

No doubt, every religion makes use of the methods which conform with its own epistemic tenets in order to establish communication with its audience. The answer to the question whether or not the development of a religious-oreinted cinema is possible is based on the awareness of the nature of cinema and has relation with the epistemic tenets of Islam. Pointing out to the Islamic philosophy and using an analytical-descriptive method, the present paper seeks to investigate the possibility or impossibility of developing a religious-oriented cinema, by reviewing about the basic tenets of Islamic philosophy and philosophy of Islamic art. The research findings show that the realization of a religious-oriented cinema demands mastering the technology of this media and depends on the stages of internal and practical intuitive journey which the film-maker has reached. Secular, religion-oriented and religious cinemas will be expected corresponding to the stages of the dominance of filmmaker’s soul which traverses from vegetable to animal and finally to human stage, respectively, and the kind of city- utopia or otherwise- can prepare the ground for the film-maker to experience something beautiful is the influential factors for the realization of the aforementioned stages of cinema.